|
gptkbp:instance_of
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gptkb:film
|
|
gptkbp:bfsLayer
|
4
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gptkbp:bfsParent
|
gptkb:Vito_Corleone
gptkb:Kama
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gptkbp:box_office
|
250-291 million USD
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|
gptkbp:budget
|
6 million USD
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gptkbp:cinematography
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gptkb:Gordon_Willis
visual storytelling
symbolic imagery
long takes
rich color palette
deep focus
emphasis on facial expressions
use of shadows
low-key lighting
character-driven shots
dramatic framing
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|
gptkbp:cultural_impact
|
influential film
|
|
gptkbp:director
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gptkb:Francis_Ford_Coppola
|
|
gptkbp:has
|
I'm gonna make him an offer he can't refuse.
Leave the gun, take the cannoli.
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|
gptkbp:has_awards
|
gptkb:award
gptkb:Best_Actor
Best Picture
|
|
gptkbp:has_cameo
|
gptkb:Francis_Ford_Coppola
gptkb:Mario_Puzo
|
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gptkbp:has_character
|
gptkb:Sollozzo
gptkb:Kay_Adams
gptkb:Fredo_Corleone
gptkb:Tessio
gptkb:Moe_Greene
gptkb:Johnny_Fontane
gptkb:Sonny_Corleone
gptkb:Tom_Hagen
gptkb:Barzini
gptkb:Clemenza
gptkb:Luca_Brasi
Michael's wife
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|
gptkbp:has_genre
|
gptkb:Police_Department
gptkb:High_School
|
|
gptkbp:has_influence_on
|
inspired numerous parodies and references
|
|
gptkbp:has_sequel
|
gptkb:The_Godfather_Part_III
gptkb:The_Godfather_Part_II
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gptkbp:has_setting
|
gptkb:Borough
|
|
gptkbp:has_song
|
gptkb:Nino_Rota
|
|
gptkbp:has_theme
|
gptkb:Police_Department
gptkb:superhero
gptkb:family
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
Godfather
|
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gptkbp:legacy
|
considered one of the greatest films of all time
|
|
gptkbp:main_character
|
gptkb:Michael_Corleone
gptkb:Vito_Corleone
|
|
gptkbp:production_company
|
gptkb:Paramount_Pictures
|
|
gptkbp:release_year
|
gptkb:1972
|
|
gptkbp:screenplay_by
|
gptkb:Francis_Ford_Coppola
gptkb:Mario_Puzo
|