Statements (49)
| Predicate | Object |
|---|---|
| gptkbp:instance_of |
gptkb:novel
|
| gptkbp:adaptation |
gptkb:theater
gptkb:film |
| gptkbp:author |
gptkb:Rabindranath_Tagore
|
| gptkbp:character_development |
Bimala's transformation
Nikhil's ideals Sandip's charisma |
| gptkbp:conflict |
personal vs political
|
| gptkbp:critical_reception |
well-received
|
| gptkbp:cultural_impact |
inspired discussions on gender roles
studied in academic settings influenced social reform movements adapted into various art forms |
| gptkbp:genre |
gptkb:Fiction
|
| https://www.w3.org/2000/01/rdf-schema#label |
Ghare Baire
|
| gptkbp:influence |
gptkb:literature
Indian literature |
| gptkbp:influenced |
feminist literature
post-colonial literature Indian novelists subsequent Bengali writers |
| gptkbp:language |
Bengali
|
| gptkbp:literary_significance |
considered a classic
analyzed in literary studies part of Tagore's legacy reflects Tagore's philosophy |
| gptkbp:main_character |
Bimala
Nikhil Sandip |
| gptkbp:narrative_style |
stream of consciousness
|
| gptkbp:notable_quote |
" The home is the world, and the world is the home."
|
| gptkbp:plot |
explores relationships
examines societal norms depicts the struggle for independence highlights the clash of tradition and modernity |
| gptkbp:published |
1916
|
| gptkbp:setting |
gptkb:Bengal
|
| gptkbp:setting_time |
early 20th century
|
| gptkbp:start_location |
gptkb:Bengal,_India
|
| gptkbp:symbolism |
the outside world
the home |
| gptkbp:theme |
gptkb:nationalism
gptkb:feminism |
| gptkbp:translated_into |
gptkb:French
gptkb:German English Hindi |
| gptkbp:bfsParent |
gptkb:Satyajit_Ray
|
| gptkbp:bfsLayer |
4
|