Statements (50)
Predicate | Object |
---|---|
gptkbp:instanceOf |
novel
|
gptkbp:adaptation |
gptkb:Satyajit_Ray
1984 none film theatre |
gptkbp:artMovement |
none
|
gptkbp:author |
gptkb:Rabindranath_Tagore
|
gptkbp:availableIn |
ebook
public domain audiobook |
gptkbp:characterDevelopment |
Bimala's_transformation
Nikhil's_ideals Sandip's_ambition |
gptkbp:conflict |
personal vs political
|
gptkbp:criticalReception |
positive
|
gptkbp:culturalImpact |
significant
|
gptkbp:discusses |
social change
cultural identity gender roles |
gptkbp:explores |
the concept of home
the concept of world |
gptkbp:genre |
historical fiction
|
https://www.w3.org/2000/01/rdf-schema#label |
The Home and the World
|
gptkbp:influence |
Indian_literature
|
gptkbp:influenced |
subsequent writers
|
gptkbp:influencedBy |
gptkb:Indian_independence_movement
gptkb:Bengali_Renaissance Western literature |
gptkbp:inspiredBy |
Tagore's_experiences
|
gptkbp:language |
gptkb:Bengali
|
gptkbp:mainCharacter |
Bimala
Nikhil Sandip |
gptkbp:narrativeStyle |
first-person
third-person |
gptkbp:notableQuote |
"The home is the world, and the world is the home."
|
gptkbp:publishedBy |
gptkb:Macmillan
1916 |
gptkbp:publishedIn |
Bengali_magazine
|
gptkbp:setting |
Bengal
|
gptkbp:symbolism |
the world
the home |
gptkbp:theme |
conflict
nationalism feminism |
gptkbp:translatedInto |
English
French German various translators |