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gptkbp:instance_of
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gptkb:film
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gptkbp:bfsLayer
|
3
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gptkbp:bfsParent
|
gptkb:Satyajit_Ray
|
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gptkbp:adaptation
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gptkb:The_Home_and_the_World
|
|
gptkbp:awards
|
gptkb:National_Film_Award_for_Best_Feature_Film
gptkb:Filmfare_Award_for_Best_Film
|
|
gptkbp:based_on
|
novel by Rabindranath Tagore
|
|
gptkbp:box_office
|
successful
|
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gptkbp:character
|
Bimala
Nikhil
Sandip
|
|
gptkbp:cinematography
|
Soumendu Roy
|
|
gptkbp:color
|
gptkb:color
|
|
gptkbp:country
|
gptkb:India
|
|
gptkbp:critical_reception
|
positive
|
|
gptkbp:cultural_impact
|
gptkb:significant
|
|
gptkbp:cultural_significance
|
high
|
|
gptkbp:depicts
|
personal relationships
political tensions
Bengali society
|
|
gptkbp:directed_by
|
gptkb:Satyajit_Ray
|
|
gptkbp:distributor
|
Mohan Films
|
|
gptkbp:editor
|
Dulal Dutta
|
|
gptkbp:film_score
|
acclaimed
|
|
gptkbp:genre
|
gptkb:High_School
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
Ghare-Baire
|
|
gptkbp:influenced
|
gptkb:theatre
gptkb:Indian_cinema
gptkb:literary_work
Bengali cinema
|
|
gptkbp:influenced_by
|
Tagore's philosophy
|
|
gptkbp:inspiration
|
modern filmmakers
|
|
gptkbp:language
|
gptkb:Bengali_language
Bengali
|
|
gptkbp:legacy
|
classic film
|
|
gptkbp:music_by
|
gptkb:Ravi_Shankar
|
|
gptkbp:narrative_style
|
non-linear
|
|
gptkbp:premiere
|
gptkb:film_festival
|
|
gptkbp:production_company
|
gptkb:Ray_&_Associates
|
|
gptkbp:release_date
|
1984-05-01
|
|
gptkbp:release_year
|
gptkb:1984
|
|
gptkbp:remake
|
adapted into plays
|
|
gptkbp:runtime
|
120 minutes
|
|
gptkbp:screenings
|
international festivals
|
|
gptkbp:screenplay_by
|
gptkb:Satyajit_Ray
|
|
gptkbp:set_in
|
gptkb:Bengal
|
|
gptkbp:starring
|
gptkb:Soumitra_Chatterjee
gptkb:Victor_Banerjee
gptkb:Swatilekha_Sengupta
|
|
gptkbp:themes
|
gptkb:TV_series
gptkb:philosopher
gptkb:flag
gptkb:military_conflict
love
tradition vs modernity
|
|
gptkbp:viewership
|
wide
|