gptkbp:instance_of
|
gptkb:opera
|
gptkbp:bfsLayer
|
4
|
gptkbp:bfsParent
|
gptkb:G._Schirmer
|
gptkbp:adaptation
|
film adaptation in 1959
ballet adaptation by Alvin Ailey
|
gptkbp:awards
|
gptkb:Grammy_Award_for_Best_Opera_Recording
gptkb:Tony_Award_for_Best_Revival_of_a_Musical
|
gptkbp:based_on
|
Du Bose Heyward's novel Porgy
|
gptkbp:composer
|
gptkb:George_Gershwin
|
gptkbp:critical_reception
|
mixed reviews at premiere
|
gptkbp:cultural_impact
|
considered a classic of American opera
|
gptkbp:cultural_significance
|
explores African American life in the early 20th century
|
gptkbp:director
|
gptkb:George_C._Wolfe
gptkb:Diane_Paulus
gptkb:Otto_Preminger
gptkb:Gershwin_himself
|
gptkbp:first_performance
|
Alvin Theatre, New York City
|
gptkbp:genre
|
gptkb:theatre
|
https://www.w3.org/2000/01/rdf-schema#label
|
George Gershwin's Porgy and Bess
|
gptkbp:influenced
|
subsequent American musicals
theater productions globally
|
gptkbp:influenced_by
|
gptkb:orchestra
American folk music
blues music
spirituals
classical music traditions
|
gptkbp:influences
|
African American culture
|
gptkbp:instrument
|
gptkb:orchestra
|
gptkbp:language
|
English
|
gptkbp:legacy
|
performed in concert halls and opera houses
|
gptkbp:librettist
|
gptkb:Du_Bose_Heyward
|
gptkbp:notable_performance
|
performed by opera companies worldwide
|
gptkbp:notable_performers
|
gptkb:Cab_Calloway
gptkb:Audra_Mc_Donald
gptkb:Leontyne_Price
Willie James
|
gptkbp:notable_recordings
|
multiple recordings by various artists
|
gptkbp:notable_song
|
gptkb:Summertime
gptkb:Bess,_You_Is_My_Woman_Now
gptkb:I_Got_Plenty_o'_Nuttin'
It Ain't Necessarily So
|
gptkbp:official_language
|
English
|
gptkbp:orchestration
|
syncopated rhythms
vocal harmonies
bluesy melodies
rich orchestral textures
|
gptkbp:premiere_date
|
September 30, 1935
|
gptkbp:setting
|
Catfish Row, Charleston, South Carolina
|
gptkbp:themes
|
community and belonging
race relations
love and struggle
|