|
gptkbp:instance_of
|
gptkb:musical_composition
|
|
gptkbp:associated_with
|
Bach's other works
|
|
gptkbp:character
|
serious and reflective
|
|
gptkbp:characteristics
|
rhythmic diversity
|
|
gptkbp:composer
|
gptkb:Johann_Sebastian_Bach
|
|
gptkbp:cultural_significance
|
important in music education
|
|
gptkbp:duration
|
approximately 3-5 minutes
|
|
gptkbp:first_performance
|
gptkb:unknown
|
|
gptkbp:form
|
polyphonic
|
|
gptkbp:genre
|
fugue
|
|
gptkbp:historical_context
|
Baroque period
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
Fugue in G minor
|
|
gptkbp:influence
|
Baroque music
|
|
gptkbp:influenced
|
gptkb:jazz_music
many composers
|
|
gptkbp:influenced_artists
|
classical music
|
|
gptkbp:inspired
|
modern compositions
|
|
gptkbp:instrumentation
|
gptkb:organ
|
|
gptkbp:instruments
|
gptkb:organ
|
|
gptkbp:is_analyzed_in
|
musicology studies
|
|
gptkbp:is_often_compared_to
|
other fugues by Bach
|
|
gptkbp:is_often_referenced_in
|
music literature
|
|
gptkbp:is_often_used_in
|
music competitions
recitals
music students
|
|
gptkbp:is_studied_in
|
music theory
|
|
gptkbp:key
|
G minor
|
|
gptkbp:melodic_theme
|
subject and countersubject
|
|
gptkbp:notable_feature
|
counterpoint
complex counterpoint
|
|
gptkbp:notable_for
|
counterpoint
a teaching piece
|
|
gptkbp:notable_performers
|
gptkb:Robert_Levin
gptkb:Ton_Koopman
gptkb:John_Butt
gptkb:David_Briggs
gptkb:Marie-Claire_Alain
gptkb:David_S._Ware
gptkb:Helmut_Walcha
gptkb:Katherine_Goodson
gptkb:Stephen_Cleobury
gptkb:Luca_Pisaroni
gptkb:Murray_Perahia
gptkb:E._Power_Biggs
gptkb:Peter_Hurford
gptkb:Daniel_Roth
gptkb:Gottfried_Bach
gptkb:Gustav_Leonhardt
gptkb:Simon_Preston
gptkb:Ralph_Vaughan_Williams
gptkb:John_Scott
gptkb:Peter_Katin
gptkb:David_Goode
gptkb:Jean_Guillou
gptkb:Graham_Barber
gptkb:Richard_Egarr
gptkb:Wolfgang_Rübsam
gptkb:David_Sanger
gptkb:Robert_King
gptkb:Thomas_Trotter
gptkb:Andreas_Bach
famous organists
David Ponsford
|
|
gptkbp:notable_recordings
|
various organists
|
|
gptkbp:notable_technique
|
voice leading
|
|
gptkbp:notable_traits
|
emotional depth
|
|
gptkbp:often_celebrated_for
|
its complexity
|
|
gptkbp:often_explored_in
|
music theory classes
|
|
gptkbp:often_includes
|
music anthologies
|
|
gptkbp:opus_number
|
578
|
|
gptkbp:part_of
|
gptkb:The_Well-Tempered_Clavier
Bach's legacy
|
|
gptkbp:performance
|
solo organ
|
|
gptkbp:performed_as
|
solo piece
|
|
gptkbp:performed_by
|
many classical musicians
|
|
gptkbp:performed_in
|
gptkb:concerts
|
|
gptkbp:published_in
|
1720
various collections
|
|
gptkbp:recorded_by
|
many orchestras
|
|
gptkbp:related_to
|
gptkb:Prelude_in_G_minor
|
|
gptkbp:related_works
|
gptkb:Prelude_in_G_minor
|
|
gptkbp:repertoire
|
organ repertoire
|
|
gptkbp:signature
|
two flats
2 flats
|
|
gptkbp:structure
|
exposition and episodes
|
|
gptkbp:style
|
gptkb:Baroque
|
|
gptkbp:technique
|
imitation
|
|
gptkbp:time_signature
|
4/4
|
|
gptkbp:tonal_center
|
G minor
|
|
gptkbp:transcribed_for
|
for various instruments
|
|
gptkbp:bfsParent
|
gptkb:Stokowski_Conducts_Bach
|
|
gptkbp:bfsLayer
|
5
|