Statements (29)
| Predicate | Object |
|---|---|
| gptkbp:instanceOf |
gptkb:film
|
| gptkbp:activePeriod |
1956-1959
|
| gptkbp:characteristic |
focus on ordinary people
documentary style low-budget production personal vision |
| gptkbp:countryOfOrigin |
gptkb:United_Kingdom
|
| gptkbp:firstScreening |
gptkb:National_Film_Theatre,_London
|
| gptkbp:firstScreeningDate |
February 1956
|
| gptkbp:influenced |
gptkb:British_New_Wave
|
| gptkbp:influencedBy |
gptkb:Italian_Neorealism
|
| gptkbp:notableMembers |
gptkb:Karel_Reisz
gptkb:Walter_Lassally gptkb:Lindsay_Anderson gptkb:Tony_Richardson gptkb:John_Fletcher gptkb:Lorenza_Mazzetti |
| gptkbp:notableWork |
gptkb:Every_Day_Except_Christmas
gptkb:Momma_Don't_Allow gptkb:O_Dreamland gptkb:We_Are_the_Lambeth_Boys Together |
| gptkbp:relatedTo |
British documentary film
Kitchen sink realism |
| gptkbp:slogan |
No film can be too personal.
The image speaks. Sound amplifies and comments. |
| gptkbp:bfsParent |
gptkb:Karel_Reisz
|
| gptkbp:bfsLayer |
7
|
| https://www.w3.org/2000/01/rdf-schema#label |
Free Cinema movement
|