|
gptkbp:instance_of
|
gptkb:Film_Director
gptkb:Screenwriter
|
|
gptkbp:active_years_end
|
gptkb:1984
|
|
gptkbp:active_years_start
|
1950
|
|
gptkbp:associated_with
|
gptkb:New_Wave_cinema
|
|
gptkbp:awards
|
gptkb:BAFTA_Award_for_Best_Film
gptkb:Academy_Award_for_Best_Foreign_Language_Film
gptkb:Silver_Bear
gptkb:Tony_Award
gptkb:César_Award_for_Best_Director
gptkb:BAFTA_Awards
Best Director Award at Cannes Film Festival
|
|
gptkbp:birth_date
|
February 6, 1932
|
|
gptkbp:birth_place
|
gptkb:Paris,_France
|
|
gptkbp:born
|
February 6, 1932
|
|
gptkbp:child
|
gptkb:Laura_Truffaut
gptkb:Eve_Truffaut
|
|
gptkbp:children
|
gptkb:Laura_Truffaut
gptkb:Laure_Truffaut
|
|
gptkbp:collaborated_with
|
gptkb:Oskar_Werner
gptkb:Catherine_Deneuve
gptkb:Fanny_Ardant
gptkb:Jean-Pierre_Léaud
|
|
gptkbp:death_date
|
October 21, 1984
|
|
gptkbp:died
|
October 21, 1984
|
|
gptkbp:died_in
|
Neuilly-sur-Seine, France
|
|
gptkbp:directed
|
gptkb:Love_on_the_Run
gptkb:The_Green_Room
gptkb:The_Last_Metro
gptkb:The_Man_Who_Loved_Women
gptkb:Jules_and_Jim
gptkb:Day_for_Night
gptkb:The_400_Blows
gptkb:The_Wild_Child
gptkb:The_Story_of_Adele_H.
gptkb:Fahrenheit_451
gptkb:The_Soft_Skin
gptkb:The_Woman_Next_Door
gptkb:Stolen_Kisses
Two English Girls
|
|
gptkbp:education
|
gptkb:CINEMA_School_of_Paris
|
|
gptkbp:famous_quote
|
“ The best way to make your dreams come true is to wake up.”
“ There is no such thing as an original idea.”
“ I believe that the cinema is a place where we can dream.”
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|
gptkbp:film
|
Vivement dimanche!
|
|
gptkbp:film_debut
|
gptkb:Les_Mistons
gptkb:The_400_Blows
|
|
gptkbp:film_festival
|
gptkb:Berlin_International_Film_Festival
gptkb:Cannes_Film_Festival
gptkb:Venice_Film_Festival
|
|
gptkbp:founded
|
gptkb:La_Société_des_Réalisateurs_de_Films
gptkb:Cahiers_du_Cinéma
|
|
gptkbp:founder
|
gptkb:Cahiers_du_Cinéma
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
Francois Truffaut
|
|
gptkbp:influenced
|
gptkb:Steven_Spielberg
gptkb:narrative_structure
gptkb:Character_development
gptkb:Martin_Scorsese
Cinematography
Film theory
Film criticism
Romantic drama
Artistic expression
Cinematic storytelling
Cultural commentary
Filmmakers worldwide
Film editing techniques
Filmmaking style
|
|
gptkbp:influenced_by
|
gptkb:André_Bazin
gptkb:Andrei_Tarkovsky
gptkb:Jean-Luc_Godard
gptkb:Alfred_Hitchcock
|
|
gptkbp:inspired
|
Film critics
Film scholars
|
|
gptkbp:known_for
|
gptkb:French_New_Wave
gptkb:New_Wave_cinema
emotional depth
innovative storytelling
character-driven narratives
|
|
gptkbp:nationality
|
gptkb:French
|
|
gptkbp:notable_work
|
gptkb:The_Last_Metro
gptkb:Jules_and_Jim
gptkb:Day_for_Night
gptkb:The_400_Blows
gptkb:Fahrenheit_451
|
|
gptkbp:occupation
|
gptkb:Actor
gptkb:Producer
gptkb:Screenwriter
gptkb:art_critics
|
|
gptkbp:place_of_birth
|
gptkb:Paris,_France
|
|
gptkbp:place_of_death
|
Neuilly-sur-Seine, France
|
|
gptkbp:resting_place
|
gptkb:Cimetière_de_Montmartre
|
|
gptkbp:signature
|
Truffaut's signature
|
|
gptkbp:spouse
|
gptkb:Madeleine_Morgenstern
|
|
gptkbp:style
|
gptkb:Realism
gptkb:Romanticism
gptkb:Melodrama
|
|
gptkbp:bfsParent
|
gptkb:Steven_Spielberg
gptkb:award
gptkb:1959
gptkb:Alfred_Hitchcock
|
|
gptkbp:bfsLayer
|
3
|