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gptkbp:instance_of
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gptkb:art_exhibition
|
|
gptkbp:art_movement
|
gptkb:church
|
|
gptkbp:associated_with
|
gptkb:Color_Field_painting
gptkb:New_York_School
Abstract art
Action painting
|
|
gptkbp:attendance
|
high
|
|
gptkbp:critical_reception
|
positive
|
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gptkbp:curator
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gptkb:William_S._Rubin
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gptkbp:duration
|
several months
|
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gptkbp:exhibition
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gptkb:collaboration
gptkb:cultural_discourse
gptkb:Historical_Society
gptkb:art_exhibition
gptkb:artwork
minimalist
cultural significance
historical importance
scholarly research
avant-garde
public perception
critical analysis
artistic dialogue
artistic experimentation
published
artistic innovation
artistic influence
artistic identity
art market impact
art historical context
artistic community engagement
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
Fifty-Fourth Exhibition (1952)
|
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gptkbp:impact
|
promoted modern art
|
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gptkbp:influenced
|
gptkb:future_exhibitions
|
|
gptkbp:inspired
|
future artists
|
|
gptkbp:is_featured_in
|
gptkb:artwork
large-scale paintings
|
|
gptkbp:location
|
gptkb:Borough
|
|
gptkbp:notable_artists
|
gptkb:Jackson_Pollock
gptkb:Robert_Motherwell
gptkb:Mark_Rothko
gptkb:Willem_de_Kooning
gptkb:Franz_Kline
|
|
gptkbp:organizer
|
gptkb:The_Museum_of_Modern_Art
|
|
gptkbp:significance
|
showcased American art
|
|
gptkbp:theme
|
gptkb:political_organization
|
|
gptkbp:type
|
international exhibition
|
|
gptkbp:year
|
gptkb:1952
|
|
gptkbp:bfsParent
|
gptkb:Berlin_Secession_Exhibitions
|
|
gptkbp:bfsLayer
|
5
|