gptkbp:instance_of
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gptkb:opera
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gptkbp:adaptation
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gptkb:film_adaptations
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gptkbp:character_development
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Leonore disguises as a man
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gptkbp:composer
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gptkb:Ludwig_van_Beethoven
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gptkbp:critical_reception
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mixed reviews at premiere
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gptkbp:cultural_impact
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gptkb:feminism
human rights advocacy
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gptkbp:cultural_significance
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important work in opera repertoire
considered Beethoven's only opera
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gptkbp:genre
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gptkb:opera
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gptkbp:historical_context
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gptkb:Napoleonic_Wars
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https://www.w3.org/2000/01/rdf-schema#label
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Fidelio VII
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gptkbp:influence
|
German Romantic opera
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gptkbp:influenced_artists
|
gptkb:Alban_Berg
gptkb:Arnold_Schoenberg
gptkb:Benjamin_Britten
gptkb:Richard_Wagner
gptkb:Giacomo_Puccini
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gptkbp:inspiration
|
inspired by real events
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gptkbp:language
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gptkb:German
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gptkbp:libretto
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gptkb:Joseph_Sonnleithner
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gptkbp:main_character
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gptkb:Florestan
gptkb:Leonore
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gptkbp:music_style
|
emotional depth
dramatic tension
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gptkbp:notable_aria
|
Abscheulicher! Wo eilst du hin?
Komm, Hoffnung, lass den letzten Stern
|
gptkbp:notable_collaborations
|
Ach, ich fühl's, es ist verschwunden
|
gptkbp:notable_conductors
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gptkb:Riccardo_Muti
gptkb:Herbert_von_Karajan
gptkb:Gustavo_Dudamel
gptkb:Daniel_Barenboim
gptkb:Bernstein
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gptkbp:notable_performances
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gptkb:Royal_Opera_House
gptkb:Vienna_State_Opera
gptkb:opera
|
gptkbp:notable_song
|
Mir ist so wunderbar
O welche Lust
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gptkbp:number_of_acts
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2
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gptkbp:orchestration
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gptkb:orchestra
|
gptkbp:performance_tradition
|
staged productions
performed in concert version
|
gptkbp:premiere_date
|
1805
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gptkbp:recordings
|
numerous recordings available
|
gptkbp:revival
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frequent revivals in opera houses
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gptkbp:setting
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gptkb:Spain
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gptkbp:symbolism
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symbol of hope
symbol of justice
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gptkbp:theme
|
love
freedom
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