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gptkbp:instance_of
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gptkb:film
|
|
gptkbp:aspect_ratio
|
1.37:1
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|
gptkbp:available_on
|
gptkb:DVD
gptkb:Blu-ray
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|
gptkbp:based_on
|
short story by Nelson Rodrigues
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gptkbp:box_office
|
gptkb:unknown
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gptkbp:cinematography_by
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gptkb:Joaquim_Pedro_de_Andrade
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gptkbp:color
|
black and white
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gptkbp:country
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gptkb:Brazil
|
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gptkbp:critical_reception
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positive
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gptkbp:cultural_impact
|
influential in Brazilian cinema
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gptkbp:director
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gptkb:Joaquim_Pedro_de_Andrade
|
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gptkbp:distributor
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gptkb:Embassy_Pictures
|
|
gptkbp:edited_by
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gptkb:Joaquim_Pedro_de_Andrade
|
|
gptkbp:film_editing
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gptkb:Joaquim_Pedro_de_Andrade
|
|
gptkbp:film_festival
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gptkb:Cannes_Film_Festival_1965
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|
gptkbp:film_score
|
original score by Joaquim Pedro de Andrade
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gptkbp:followed_by
|
gptkb:The_Man_Who_Knew_Too_Much_(1965)
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gptkbp:genre
|
gptkb:drama
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
Everybody Knows (1965)
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|
gptkbp:influenced
|
gptkb:Cinema_Novo_movement
|
|
gptkbp:influenced_by
|
gptkb:Italian_Neorealism
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|
gptkbp:language
|
gptkb:Portuguese
|
|
gptkbp:music_by
|
gptkb:Joaquim_Pedro_de_Andrade
|
|
gptkbp:narrative
|
social issues in Brazil
|
|
gptkbp:premiere
|
gptkb:Cannes_Film_Festival
|
|
gptkbp:release_year
|
gptkb:1965
|
|
gptkbp:runtime
|
90 minutes
|
|
gptkbp:screenplay_by
|
gptkb:Joaquim_Pedro_de_Andrade
|
|
gptkbp:starring
|
gptkb:Marília_Pêra
gptkb:Sérgio_Britto
gptkb:Jardel_Filho
gptkb:Tônia_Carrero
gptkb:Ruth_de_Souza
gptkb:Othon_Bastos
Nydia Licia
Zilka Salaberry
|
|
gptkbp:themes
|
gptkb:betrayal
gptkb:conflict
gptkb:social_class
gptkb:deception
gptkb:identity
gptkb:memory
gptkb:family
gptkb:society
love
truth
|
|
gptkbp:bfsParent
|
gptkb:The_Dave_Clark_Five
|
|
gptkbp:bfsLayer
|
5
|