|
gptkbp:instance_of
|
gptkb:film
|
|
gptkbp:art_style
|
gptkb:Michael_O._Moore
|
|
gptkbp:artist
|
gptkb:Nick_Dudman
|
|
gptkbp:awards
|
gptkb:CEO
|
|
gptkbp:box_office
|
5000000
|
|
gptkbp:budget
|
20000000
|
|
gptkbp:character_appearance
|
gptkb:Kurt_Wimmer
|
|
gptkbp:cinematography
|
gptkb:Pawel_Edelman
|
|
gptkbp:composer
|
gptkb:Paul_Haslinger
|
|
gptkbp:country
|
gptkb:United_States
|
|
gptkbp:critical_reception
|
Mixed reviews
|
|
gptkbp:director
|
gptkb:Kurt_Wimmer
|
|
gptkbp:distributor
|
gptkb:The_Weinstein_Company
|
|
gptkbp:editor
|
gptkb:Joaquin_Degas
|
|
gptkbp:film_series
|
gptkb:CEO
|
|
gptkbp:filmography
|
gptkb:CEO
|
|
gptkbp:genre
|
gptkb:musical
gptkb:Author
|
|
gptkbp:home_media_release
|
2003-05-27
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
Equilibrium (2002)
|
|
gptkbp:influences
|
gptkb:Brave_New_World
gptkb:1984
gptkb:Fahrenheit_451
|
|
gptkbp:inspiration
|
gptkb:philosopher
gptkb:literary_work
Martial arts films
|
|
gptkbp:is_decorated_with
|
gptkb:Michael_O._Moore
|
|
gptkbp:is_worshipped_by
|
gptkb:battle
|
|
gptkbp:language
|
English
|
|
gptkbp:narrative_style
|
Linear
|
|
gptkbp:notable_appearance
|
gptkb:Gun_Kata
gptkb:Final_confrontation
Cleric's awakening
|
|
gptkbp:plot
|
In a dystopian future, a man in charge of enforcing the law rises to overthrow the system.
|
|
gptkbp:production_company
|
gptkb:Dimension_Films
|
|
gptkbp:rating
|
gptkb:R
|
|
gptkbp:release_date
|
2002-12-06
|
|
gptkbp:release_region
|
gptkb:United_States
|
|
gptkbp:remake
|
gptkb:CEO
|
|
gptkbp:runtime
|
107 minutes
|
|
gptkbp:screenplay_by
|
gptkb:Kurt_Wimmer
|
|
gptkbp:sequel
|
gptkb:CEO
|
|
gptkbp:starring
|
gptkb:Christian_Bale
gptkb:Taye_Diggs
gptkb:Emily_Watson
|
|
gptkbp:themes
|
gptkb:Dystopia
gptkb:Rebellion
Totalitarianism
Suppression of emotions
|
|
gptkbp:visual_effects
|
gptkb:CEO
gptkb:John_Knoll
|
|
gptkbp:voice_actor
|
gptkb:CEO
|
|
gptkbp:bfsParent
|
gptkb:Detective_John_Preston
|
|
gptkbp:bfsLayer
|
5
|