Statements (234)
| Predicate | Object |
|---|---|
| gptkbp:instance_of |
gptkb:opera
gptkb:novel |
| gptkbp:bfsLayer |
2
|
| gptkbp:bfsParent |
gptkb:architect
|
| gptkbp:activities |
2 acts
|
| gptkbp:adaptation |
gptkb:musical
gptkb:television_series gptkb:theatre gptkb:radio_station gptkb:graphic_novel gptkb:opera gptkb:video_game gptkb:book gptkb:film |
| gptkbp:adapted_into |
gptkb:television_series
gptkb:graphic_novel gptkb:video_game |
| gptkbp:author |
gptkb:Aldous_Huxley
|
| gptkbp:awards |
various opera awards
|
| gptkbp:based_on |
novel by Aldous Huxley
|
| gptkbp:character |
gptkb:Helmholtz_Watson
gptkb:John_the_Savage gptkb:Lenina_Crowne gptkb:Fanny_Crowne gptkb:Mustapha_Mond |
| gptkbp:choreography |
various choreographers
|
| gptkbp:class |
gptkb:Alphas
Deltas Epsilons Betas Gammas |
| gptkbp:collaborations |
various directors
various conductors various librettists |
| gptkbp:composed_of |
gptkb:David_Bruce
|
| gptkbp:contains |
social commentary
ethical dilemmas philosophical reflections satirical elements scientific speculation |
| gptkbp:critical_reception |
controversial
generally positive widely acclaimed widely studied controversial at publication considered a classic controversial at the time of publication adapted into various media considered a classic of English literature controversial upon release |
| gptkbp:cultural_impact |
influenced popular culture
influenced literature influenced philosophy critique of modern society influenced art influenced politics influenced music referenced in literature influenced films referenced in music referenced in film influenced education influenced other operas discussed in academic settings inspired other works of fiction referenced in television discussion of ethics in science inspired other dystopian works exploration of happiness and freedom discussion of bioethics discussion of freedom and control discussion of happiness and fulfillment discussion of reproductive technology |
| gptkbp:cultural_references |
gptkb:television_series
gptkb:theatre gptkb:academic_conferences gptkb:documentaries gptkb:films gptkb:podcasts gptkb:literary_work social media discussions art installations popular music |
| gptkbp:explores |
gptkb:TV_series
social stability happiness consumerism individual freedom |
| gptkbp:features |
gptkb:snake
gptkb:soma Alpha, Beta, Gamma, Delta, Epsilon classes the Savage Reservation the World State |
| gptkbp:first_published |
gptkb:1932
|
| gptkbp:followed_by |
gptkb:Brave_New_World_Revisited
|
| gptkbp:genre |
gptkb:Author
gptkb:Community_Center Dystopian fiction |
| gptkbp:has_influence_on |
gptkb:organization
political discourse modern dystopian works |
| gptkbp:has_theme |
the nature of happiness
the role of technology utopia vs dystopia the loss of individuality the cost of progress |
| https://www.w3.org/2000/01/rdf-schema#label |
Brave New World
|
| gptkbp:influence |
gptkb:organization
science fiction literature science fiction genre |
| gptkbp:influenced |
gptkb:philosopher
gptkb:physicist gptkb:political_organization gptkb:psychologist ethics cultural studies George Orwell's 1984 media studies technology studies Ray Bradbury's Fahrenheit 451 Margaret Atwood's The Handmaid's Tale |
| gptkbp:influenced_by |
Brave New World (novel)
|
| gptkbp:influences |
gptkb:Community_Center
|
| gptkbp:inspiration |
George Orwell's 1984
Fahrenheit 451 by Ray Bradbury The Handmaid's Tale by Margaret Atwood inspired by Huxley's experiences with drugs inspired by Huxley's experiences with technology inspired by Huxley's interest in psychology inspired by Huxley's views on human nature inspired by Huxley's views on society Huxley's views on society Aldous Huxley's themes Huxley's critique of industrialization Huxley's experiences with drugs Huxley's interest in psychology Huxley's views on education |
| gptkbp:inspired |
gptkb:Brave_New_World:_The_Game
gptkb:Brave_New_World:_The_Graphic_Novel gptkb:Brave_New_World:_The_Musical gptkb:Brave_New_World:_The_Opera gptkb:Brave_New_World:_The_Podcast gptkb:military_conflict academic studies philosophical discussions various works of art literary critiques numerous adaptations |
| gptkbp:inspired_by |
the author's experiences
|
| gptkbp:is_considered_as |
a classic of English literature
|
| gptkbp:is_often_associated_with |
popular media
|
| gptkbp:is_often_compared_to |
gptkb:1984
gptkb:Fahrenheit_451 |
| gptkbp:is_studied_in |
literature courses
|
| gptkbp:isbn |
978-0060850524
|
| gptkbp:language |
English
translated into multiple languages |
| gptkbp:length |
approximately 2 hours
|
| gptkbp:literary_devices |
gptkb:comic_book
gptkb:mythological_figure symbolism irony foreshadowing |
| gptkbp:main_character |
gptkb:Bernard_Marx
gptkb:John_the_Savage gptkb:Lenina_Crowne |
| gptkbp:narrative_style |
third-person
third-person omniscient third-person narrative |
| gptkbp:notable_character |
gptkb:Helmholtz_Watson
gptkb:Bernard_Marx gptkb:John_the_Savage gptkb:Lenina_Crowne gptkb:Fanny_Crowne gptkb:Mustapha_Mond |
| gptkbp:notable_performance |
performed at various festivals
performed in major cities premiere at the Royal Opera House |
| gptkbp:notable_quote |
“ Ending is better than mending.”
“ I want to know what passion is.” “ Words can be like X-rays if you use them properly.” ' Ending is better than mending.' ' Everyone belongs to everyone else.' ' The greatest moralizing and socializing force of all time.' ' A squat grey building of a block of flats.' ' We also predestine and condition.' “ Everyone belongs to everyone else.” “ The greatest moralizing and socializing force of all time.” ' Community, Identity, Stability.' ' Happiness is never grand.' ' Words can be like X-rays if you use them properly.' |
| gptkbp:notable_recordings |
available on streaming platforms
available on CD |
| gptkbp:orchestration |
full orchestra
|
| gptkbp:page_count |
gptkb:311
288 |
| gptkbp:performed_by |
the interwar period
various opera companies |
| gptkbp:philosophy |
gptkb:Brave_New_World_Revisited
utilitarianism hedonism individualism vs collectivism |
| gptkbp:premiered_on |
gptkb:2010
|
| gptkbp:production_years |
multiple productions worldwide
|
| gptkbp:published_by |
gptkb:1932
gptkb:the_United_States gptkb:the_United_Kingdom |
| gptkbp:publisher |
gptkb:Chatto_&_Windus
|
| gptkbp:sequel |
gptkb:Brave_New_World_Revisited
|
| gptkbp:set_in |
26th century
|
| gptkbp:setting |
futuristic society
dystopian future Futuristic society |
| gptkbp:social_structure |
gptkb:Alphas
gptkb:World_State Deltas castes Epsilons Betas Gammas |
| gptkbp:theme |
gptkb:political_organization
gptkb:technology consumerism technological control technology and control individuality vs. conformity |
| gptkbp:themes |
gptkb:Happiness
gptkb:technology Consumerism Individuality technology and humanity societal control individuality vs conformity |
| gptkbp:translated_into |
multiple languages
|