Statements (247)
| Predicate | Object |
|---|---|
| gptkbp:instance_of |
gptkb:opera
gptkb:novel |
| gptkbp:action |
2 acts
|
| gptkbp:adaptation |
gptkb:film_adaptation
gptkb:musical gptkb:television_series gptkb:radio_station gptkb:graphic_novel gptkb:stage_adaptation gptkb:opera gptkb:video_game gptkb:audiobook gptkb:film gptkb:stage_play |
| gptkbp:adapted_into |
gptkb:television_series
gptkb:graphic_novel gptkb:video_game |
| gptkbp:author |
gptkb:Aldous_Huxley
|
| gptkbp:awards |
various opera awards
|
| gptkbp:based_on |
novel by Aldous Huxley
|
| gptkbp:character |
gptkb:Helmholtz_Watson
gptkb:John_the_Savage gptkb:Lenina_Crowne gptkb:Fanny_Crowne gptkb:Mustapha_Mond |
| gptkbp:choreography |
various choreographers
|
| gptkbp:class |
gptkb:Alphas
Deltas Epsilons Betas Gammas |
| gptkbp:collaborator |
various directors
various conductors various librettists |
| gptkbp:composed_by |
gptkb:David_Bruce
|
| gptkbp:contains |
social commentary
ethical dilemmas philosophical reflections satirical elements scientific speculation |
| gptkbp:critical_reception |
controversial
generally positive widely acclaimed widely studied controversial at publication considered a classic controversial at the time of publication adapted into various media considered a classic of English literature controversial upon release |
| gptkbp:cultural_impact |
influenced popular culture
influenced literature influenced philosophy critique of modern society influenced art influenced politics influenced music referenced in literature influenced films referenced in music referenced in film influenced education influenced other operas discussed in academic settings inspired other works of fiction referenced in television discussion of ethics in science inspired other dystopian works exploration of happiness and freedom discussion of bioethics discussion of freedom and control discussion of happiness and fulfillment discussion of reproductive technology |
| gptkbp:cultural_references |
gptkb:academic_conferences
gptkb:documentaries gptkb:films gptkb:podcasts gptkb:television_shows gptkb:literature gptkb:theater_productions social media discussions art installations popular music |
| gptkbp:explores |
gptkb:identity
social stability happiness consumerism individual freedom |
| gptkbp:features |
gptkb:soma
gptkb:hatchback Alpha, Beta, Gamma, Delta, Epsilon classes the Savage Reservation the World State |
| gptkbp:first_published |
gptkb:1932
|
| gptkbp:followed_by |
gptkb:Brave_New_World_Revisited
|
| gptkbp:genre |
gptkb:science_fiction
gptkb:dystopian_fiction Dystopian fiction |
| gptkbp:has_influence_on |
gptkb:popular_culture
political discourse modern dystopian works |
| gptkbp:has_themes |
the nature of happiness
the role of technology utopia vs dystopia the loss of individuality the cost of progress |
| https://www.w3.org/2000/01/rdf-schema#label |
Brave New World
|
| gptkbp:influence |
gptkb:popular_culture
science fiction literature science fiction genre |
| gptkbp:influenced |
gptkb:sociology
gptkb:political_theory gptkb:philosophy gptkb:psychology ethics cultural studies George Orwell's 1984 media studies technology studies Ray Bradbury's Fahrenheit 451 Margaret Atwood's The Handmaid's Tale |
| gptkbp:influenced_by |
Brave New World (novel)
|
| gptkbp:influences |
gptkb:socialism
gptkb:dystopian_fiction |
| gptkbp:inspiration |
George Orwell's 1984
Fahrenheit 451 by Ray Bradbury The Handmaid's Tale by Margaret Atwood inspired by Huxley's experiences with drugs inspired by Huxley's experiences with technology inspired by Huxley's interest in psychology inspired by Huxley's views on human nature inspired by Huxley's views on society Huxley's views on society Aldous Huxley's themes Huxley's critique of industrialization Huxley's experiences with drugs Huxley's interest in psychology Huxley's views on education |
| gptkbp:inspired |
gptkb:political_debates
gptkb:Brave_New_World:_The_Game gptkb:Brave_New_World:_The_Graphic_Novel gptkb:Brave_New_World:_The_Musical gptkb:Brave_New_World:_The_Opera gptkb:Brave_New_World:_The_Podcast academic studies philosophical discussions various works of art literary critiques numerous adaptations |
| gptkbp:is_considered_as |
a classic of English literature
|
| gptkbp:is_inspired_by |
the author's experiences
|
| gptkbp:is_often_compared_to |
gptkb:1984
gptkb:Fahrenheit_451 |
| gptkbp:is_often_referenced_in |
popular media
|
| gptkbp:is_set_in |
26th century
|
| gptkbp:is_studied_in |
literature courses
|
| gptkbp:isbn |
978-0060850524
|
| gptkbp:language |
English
translated into multiple languages |
| gptkbp:length |
approximately 2 hours
|
| gptkbp:libretto |
gptkb:David_Bruce
|
| gptkbp:literary_devices |
gptkb:satire
gptkb:allegory symbolism irony foreshadowing |
| gptkbp:main_character |
gptkb:Bernard_Marx
gptkb:John_the_Savage gptkb:Lenina_Crowne |
| gptkbp:main_theme |
gptkb:totalitarianism
consumerism technological control |
| gptkbp:narrative_style |
third-person
third-person omniscient third-person narrative |
| gptkbp:notable_character |
gptkb:Helmholtz_Watson
gptkb:John_the_Savage gptkb:Lenina_Crowne gptkb:Mustapha_Mond |
| gptkbp:notable_characters |
gptkb:Bernard_Marx
gptkb:John_the_Savage gptkb:Lenina_Crowne gptkb:Fanny_Crowne gptkb:Mustapha_Mond |
| gptkbp:notable_performances |
performed at various festivals
performed in major cities premiere at the Royal Opera House |
| gptkbp:notable_quote |
“ Ending is better than mending.”
“ I want to know what passion is.” “ Words can be like X-rays if you use them properly.” ' Ending is better than mending.' ' Everyone belongs to everyone else.' ' The greatest moralizing and socializing force of all time.' ' A squat grey building of a block of flats.' ' We also predestine and condition.' “ Everyone belongs to everyone else.” “ The greatest moralizing and socializing force of all time.” ' Community, Identity, Stability.' ' Happiness is never grand.' ' Words can be like X-rays if you use them properly.' |
| gptkbp:orchestration |
full orchestra
|
| gptkbp:page_count |
gptkb:311
288 |
| gptkbp:performed_by |
various opera companies
|
| gptkbp:performed_in |
the interwar period
|
| gptkbp:philosophy |
gptkb:Brave_New_World_Revisited
utilitarianism hedonism individualism vs collectivism |
| gptkbp:premiered_on |
gptkb:2010
|
| gptkbp:production_years |
multiple productions worldwide
|
| gptkbp:published |
gptkb:1932
|
| gptkbp:published_by |
gptkb:the_United_States
gptkb:the_United_Kingdom |
| gptkbp:publisher |
gptkb:Chatto_&_Windus
|
| gptkbp:recordings |
available on streaming platforms
available on CD |
| gptkbp:sequel |
gptkb:Brave_New_World_Revisited
|
| gptkbp:setting |
futuristic society
dystopian future Futuristic society |
| gptkbp:social_structure |
gptkb:Alphas
gptkb:World_State Deltas castes Epsilons Betas Gammas |
| gptkbp:theme |
gptkb:totalitarianism
gptkb:technology consumerism technology and control individuality vs. conformity |
| gptkbp:themes |
gptkb:Happiness
gptkb:technology Consumerism Individuality technology and humanity societal control individuality vs conformity |
| gptkbp:translated_into |
multiple languages
|
| gptkbp:bfsParent |
gptkb:Isaac_Asimov
gptkb:The_Shape_of_Things_to_Come gptkb:A_Modern_Utopia gptkb:The_Sleeper_Awakes gptkb:The_World_Set_Free:_A_Story_of_the_Future |
| gptkbp:bfsLayer |
3
|