|
gptkbp:instance_of
|
gptkb:character
|
|
gptkbp:appears_in
|
gptkb:The_Lighthouse
|
|
gptkbp:aspect_ratio
|
1.19:1
|
|
gptkbp:audience
|
positive
|
|
gptkbp:box_office
|
gptkb:A24
$4 million
$18.3 million
|
|
gptkbp:cinematography
|
gptkb:Jarin_Blaschke
black and white
|
|
gptkbp:conflict
|
internal struggle
|
|
gptkbp:director
|
gptkb:Robert_Eggers
|
|
gptkbp:film
|
English
|
|
gptkbp:film_awards
|
Cannes Film Festival nomination
|
|
gptkbp:film_editing
|
gptkb:Louise_Ford
|
|
gptkbp:film_rotten_tomatoes_score
|
90%
|
|
gptkbp:genre
|
gptkb:Mark_Korven
gptkb:horror
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
Ephraim Winslow
|
|
gptkbp:is_motivated_by
|
desire for freedom
|
|
gptkbp:narrative
|
gptkb:protagonist
|
|
gptkbp:occupation
|
wickie
|
|
gptkbp:portrayed_by
|
gptkb:Willem_Dafoe
|
|
gptkbp:production_company
|
gptkb:A24
|
|
gptkbp:relationship_with
|
gptkb:Thomas_Wake
|
|
gptkbp:release_year
|
gptkb:2019
|
|
gptkbp:setting
|
gptkb:New_England
|
|
gptkbp:setting_time
|
1890s
|
|
gptkbp:symbolizes
|
guilt
|
|
gptkbp:theme
|
gptkb:mythology
isolation
madness
|
|
gptkbp:themes
|
gptkb:identity
obsession
supernatural
masculinity
power dynamics
seafaring
|
|
gptkbp:bfsParent
|
gptkb:The_Lighthouse
|
|
gptkbp:bfsLayer
|
4
|