|
gptkbp:instance_of
|
gptkb:musical
gptkb:opera
gptkb:novel
gptkb:film
|
|
gptkbp:adaptation
|
gptkb:theatrical_performances
performed in various languages
|
|
gptkbp:adapted_into
|
gptkb:television
a concert version
|
|
gptkbp:art_style
|
gptkb:Surrealism
Expressionist
|
|
gptkbp:aspect_ratio
|
1.19:1
|
|
gptkbp:author
|
gptkb:Jean_Genet
|
|
gptkbp:available_formats
|
vinyl
streaming
digital download
|
|
gptkbp:available_on
|
gptkb:streaming_platforms
CD
|
|
gptkbp:awards
|
gptkb:Grammy_Award
gptkb:Gotham_Award_for_Best_Breakthrough_Director
Academy Award nomination for Best Cinematography
Critics' Choice Movie Award nomination for Best Cinematography
Independent Spirit Award nomination for Best Director
|
|
gptkbp:based_on
|
gptkb:The_Lighthouse_at_the_End_of_the_World
The Light-House by Edgar Allan Poe
The Lighthouse by Jean Genet
the novel by Charles Williams
|
|
gptkbp:box_office
|
$18.3 million
|
|
gptkbp:budget
|
$4 million
|
|
gptkbp:character
|
gptkb:Ephraim_Winslow
gptkb:Thomas_Wake
gptkb:The_Woman
gptkb:The_Assistant
gptkb:The_Keeper
gptkb:The_Boy
|
|
gptkbp:cinematography_by
|
gptkb:Jarin_Blaschke
|
|
gptkbp:color
|
black and white
|
|
gptkbp:color_palette
|
Black and white
|
|
gptkbp:composer
|
gptkb:Peter_Maxwell_Davies
gptkb:Benjamin_Britten
|
|
gptkbp:critical_reception
|
positive
generally positive
mixed reviews
Certified Fresh on Rotten Tomatoes
Metacritic score of 90
|
|
gptkbp:cultural_impact
|
Cult following
academic studies
cult following
film analysis
Influence on horror genre.
|
|
gptkbp:directed_by
|
gptkb:Robert_Eggers
|
|
gptkbp:discusses
|
the nature of reality
the nature of existence
the nature of truth
|
|
gptkbp:duration
|
approximately 90 minutes
|
|
gptkbp:editing
|
gptkb:Louise_Ford
|
|
gptkbp:explores
|
gptkb:memory
human relationships
power dynamics
the supernatural
sexuality
human psychology
|
|
gptkbp:features
|
gptkb:metaphor
gptkb:orchestral_music
gptkb:allegory
symbolism
vocal ensembles
dramatic storytelling
|
|
gptkbp:film_festival
|
gptkb:Sitges_Film_Festival
gptkb:Fantastic_Fest
gptkb:AFI_Fest
gptkb:Cannes_Film_Festival
gptkb:Toronto_International_Film_Festival
gptkb:New_York_Film_Festival
gptkb:BFI_London_Film_Festival
gptkb:Gotham_Awards
gptkb:Critics'_Choice_Awards
gptkb:Independent_Spirit_Awards
|
|
gptkbp:filming_location
|
gptkb:Nova_Scotia
|
|
gptkbp:first_performance
|
gptkb:Royal_Opera_House
|
|
gptkbp:genre
|
gptkb:opera
gptkb:drama
gptkb:horror
|
|
gptkbp:has
|
multiple interpretations
|
|
gptkbp:has_performed_at
|
internationally
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
The Lighthouse
|
|
gptkbp:influence
|
postmodern literature
|
|
gptkbp:influenced
|
gptkb:playwright
theater directors
modern operas
contemporary opera composers
the genre of opera
|
|
gptkbp:influenced_by
|
gptkb:postmodernism
gptkb:theater
gptkb:literature
gptkb:film
expressionism
British culture
Scottish culture
minimalism
20th-century classical music
the sea and maritime themes
the works of Charles Williams
|
|
gptkbp:influences
|
gptkb:German_Expressionism
gptkb:The_Cabinet_of_Dr._Caligari
gptkb:The_Shining
gptkb:The_Witch
silent films
horror literature
|
|
gptkbp:inspiration
|
Nautical folklore
Isolation narratives
Lighthouses in New England
|
|
gptkbp:inspired
|
gptkb:various_adaptations
|
|
gptkbp:inspired_by
|
real-life events
|
|
gptkbp:instruments
|
gptkb:orchestra
|
|
gptkbp:is
|
considered a classic
a commentary on politics
often studied in literature courses
a commentary on society
a commentary on morality
a critique of societal norms
a commentary on existence
a commentary on the human condition
a commentary on art
a commentary on love
a commentary on religion
a commentary on death
a significant work in French literature
a commentary on freedom
a commentary on confinement
a commentary on culture
a commentary on performance
a commentary on philosophy
a commentary on the absurd
a reflection of Genet's life experiences
|
|
gptkbp:is_considered
|
a significant work in modern opera
|
|
gptkbp:is_divided_into
|
two acts
|
|
gptkbp:is_known_for
|
its complex characters
its psychological depth
its haunting music
|
|
gptkbp:is_part_of
|
the contemporary opera repertoire
Peter Maxwell Davies' oeuvre
|
|
gptkbp:is_reviewed_by
|
in major publications
|
|
gptkbp:is_studied_in
|
musicology courses
theater studies courses
|
|
gptkbp:isbn
|
978-2-7073-0000-0
|
|
gptkbp:language
|
gptkb:French
English
|
|
gptkbp:length
|
approximately 90 minutes
|
|
gptkbp:librettist
|
gptkb:David_Pountney
gptkb:Peter_Pears
|
|
gptkbp:music_by
|
gptkb:Mark_Korven
|
|
gptkbp:narrative_style
|
stream of consciousness
psychological horror
|
|
gptkbp:notable_character
|
the Keeper
the Stranger
the Woman
|
|
gptkbp:notable_characters
|
the Keeper
the Assistant
the Visitor
|
|
gptkbp:notable_performance
|
gptkb:Royal_Opera_House
gptkb:Scottish_Opera
|
|
gptkbp:notable_production
|
gptkb:Glastonbury_Festival
gptkb:English_National_Opera
gptkb:Royal_Opera_House
gptkb:Opera_North
Birmingham Opera Company's 2000 production
English National Opera's 1982 production
Opera North's 2010 production
Royal Opera House's 1990 revival
Scottish Opera's 1980 premiere
|
|
gptkbp:number_of_acts
|
2
|
|
gptkbp:page_count
|
approximately 120
|
|
gptkbp:part_of
|
Jean Genet's body of work
|
|
gptkbp:performed_by
|
gptkb:Scottish_Opera
professional opera companies
amateur opera groups
|
|
gptkbp:performed_in
|
various opera houses
|
|
gptkbp:plot
|
Two lighthouse keepers descend into madness while isolated on a remote and mysterious New England island.
|
|
gptkbp:premiere_date
|
gptkb:1980
1979-01-14
|
|
gptkbp:premiere_location
|
gptkb:festival
gptkb:Royal_Opera_House
|
|
gptkbp:premiered_on
|
gptkb:1980
gptkb:Cannes_Film_Festival
|
|
gptkbp:production_company
|
gptkb:A24
Parts and Labor
RT Features
|
|
gptkbp:published_by
|
gptkb:Les_Éditions_de_Minuit
|
|
gptkbp:published_in
|
1951
|
|
gptkbp:record_label
|
gptkb:Decca_Records
gptkb:Chandos_Records
|
|
gptkbp:recorded_by
|
various artists
|
|
gptkbp:recordings
|
available on CD
|
|
gptkbp:release_date
|
October 18, 2019
|
|
gptkbp:release_format
|
gptkb:Blu-ray
digital
theatrical
|
|
gptkbp:released_in
|
gptkb:2019
|
|
gptkbp:runtime
|
109 minutes
|
|
gptkbp:screenplay_by
|
gptkb:Robert_Eggers
|
|
gptkbp:set_in
|
1890s
a remote lighthouse
|
|
gptkbp:setting
|
a lighthouse
|
|
gptkbp:sound_design
|
gptkb:Mark_Korven
Diegetic sound
Non-diegetic sound
|
|
gptkbp:starring
|
gptkb:Robert_Pattinson
gptkb:Willem_Dafoe
|
|
gptkbp:style
|
avant-garde
modern classical music
|
|
gptkbp:theme
|
gptkb:existentialism
gptkb:identity
isolation
|
|
gptkbp:themes
|
gptkb:Isolation
gptkb:mythology
gptkb:Madness
Masculinity
authority
isolation
madness
guilt
|
|
gptkbp:translated_into
|
English
several languages
|
|
gptkbp:visual_effects
|
gptkb:A24
|
|
gptkbp:won_award
|
Best Director at Cannes
|
|
gptkbp:written_by
|
gptkb:Peter_Maxwell_Davies
|
|
gptkbp:bfsParent
|
gptkb:Nashville_Film_Festival
|
|
gptkbp:bfsLayer
|
3
|