Statements (46)
Predicate | Object |
---|---|
gptkbp:instanceOf |
fictional character
|
gptkbp:adaptation |
film adaptations
musical adaptations stage adaptations |
gptkbp:appearsIn |
My Fair Lady
Pygmalion |
gptkbp:associatedWith |
gptkb:Colonel_Pickering
gptkb:Henry_Higgins |
gptkbp:characterTraits |
determined
naive ambitious |
gptkbp:createdBy |
gptkb:George_Bernard_Shaw
|
gptkbp:culturalImpact |
influenced discussions on class and language
|
gptkbp:famousQuote |
The difference between a lady and a flower girl is not how she behaves, but how she is treated.
|
gptkbp:firstAppearance |
1913
|
gptkbp:gender |
female
|
gptkbp:goal |
to improve her speech
|
gptkbp:hasConflictWith |
societal expectations
personal identity romantic interests |
gptkbp:hasProductLine |
to find love
to challenge social norms to gain independence to be accepted in high society to prove her worth |
https://www.w3.org/2000/01/rdf-schema#label |
Emma Dolittle
|
gptkbp:influencedBy |
gptkb:Colonel_Pickering
gptkb:Henry_Higgins |
gptkbp:inspiration |
modern adaptations
|
gptkbp:narrativeStyle |
protagonist
symbol of change dynamic character |
gptkbp:occupation |
flower girl
|
gptkbp:portrayedBy |
gptkb:Audrey_Hepburn
gptkb:Julie_Andrews Eliza_Doolittle_(film_adaptation) |
gptkbp:replacedBy |
from flower girl to lady
|
gptkbp:setting |
gptkb:London
|
gptkbp:symbolizes |
social mobility
feminism identity transformation |
gptkbp:theme |
transformation
love and relationships identity and self-discovery gender roles language and class |