|
gptkbp:instance_of
|
gptkb:fictional_character
gptkb:character
|
|
gptkbp:adaptation
|
gptkb:film_adaptation
gptkb:musical
gptkb:Pygmalion
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|
gptkbp:adapted_into
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gptkb:film_adaptations
gptkb:Film_adaptations
musical adaptations
|
|
gptkbp:appears_in
|
gptkb:My_Fair_Lady
gptkb:Pygmalion
|
|
gptkbp:associated_with
|
gptkb:Colonel_Pickering
gptkb:Eliza_Doolittle
Professor of phonetics
|
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gptkbp:character_arc
|
realization of love
confrontation with self
growth through relationships
struggle with emotions
redemption through understanding
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|
gptkbp:character_traits
|
Intelligent
Arrogant
Egotistical
|
|
gptkbp:created_by
|
gptkb:George_Bernard_Shaw
|
|
gptkbp:cultural_impact
|
iconic character
inspired various adaptations
Adaptations in various media
Influenced musical theatre
reference in popular culture
influenced character archetypes
subject of analysis in literature
|
|
gptkbp:dislikes
|
lower class accents
|
|
gptkbp:famous_quote
|
The rain in Spain stays mainly in the plain.
I ain't pretending to be deserving.
|
|
gptkbp:famous_song
|
gptkb:Get_Me_to_the_Church_on_Time
I've Grown Accustomed to Her Face
Wouldn't It Be Loverly
The Rain in Spain
I'm an Ordinary Man
|
|
gptkbp:first_appearance
|
gptkb:Pygmalion
1913
|
|
gptkbp:gender
|
gptkb:Male
male
|
|
gptkbp:has_conflict_with
|
gptkb:Colonel_Pickering
gptkb:Alfred_Doolittle
|
|
gptkbp:has_education
|
gptkb:Cambridge_University
|
|
gptkbp:has_friend
|
gptkb:Colonel_Pickering
|
|
gptkbp:has_goal
|
to teach proper speech
|
|
gptkbp:has_influence_on
|
modern linguistics
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
Henry Higgins
|
|
gptkbp:influence
|
gptkb:musical_theatre
gptkb:Linguistics
gptkb:social_class
British culture
|
|
gptkbp:influenced_by
|
gptkb:Linguistics
gptkb:social_class
phonetics
|
|
gptkbp:is_a
|
gptkb:Academic
gptkb:social_reform
gptkb:protagonist
gptkb:antagonist
gptkb:Scientist
gptkb:socialite
gptkb:letters
gptkb:cultural_icon
gptkb:educators
gptkb:mentorship
gptkb:visionary
gptkb:researchers
aristocrat
intellectual
innovator
phonetics professor
|
|
gptkbp:is_associated_with
|
social class issues
|
|
gptkbp:is_criticized_for
|
his treatment of Eliza Doolittle
|
|
gptkbp:is_involved_in
|
social experiments
|
|
gptkbp:is_known_for
|
his arrogance
his experiments with language
his expertise in accents
|
|
gptkbp:is_motivated_by
|
to win a bet
transform Eliza Doolittle
|
|
gptkbp:is_part_of
|
British literature
|
|
gptkbp:is_taught_in
|
gptkb:Eliza_Doolittle
|
|
gptkbp:lives_in
|
gptkb:London
|
|
gptkbp:nationality
|
gptkb:British
|
|
gptkbp:notable_for
|
transforming Eliza Doolittle's speech
|
|
gptkbp:notable_quote
|
The rain in Spain stays mainly in the plain.
|
|
gptkbp:notable_scene
|
the wedding scene
the phonetics lesson
the Ascot scene
the bet with Pickering
the final confrontation with Eliza
|
|
gptkbp:occupation
|
gptkb:Linguistics
phonetics professor
Professor of phonetics
Professor of Phonetics
|
|
gptkbp:personality_trait
|
intelligent
arrogant
self-centered
|
|
gptkbp:portrayed_by
|
gptkb:Richard_Chamberlain
gptkb:Jeremy_Brett
gptkb:Colin_Firth
gptkb:Rex_Harrison
|
|
gptkbp:relationship
|
gptkb:Eliza_Doolittle
|
|
gptkbp:relationship_with
|
gptkb:Colonel_Pickering
gptkb:Eliza_Doolittle
his peers
his mother
his students
|
|
gptkbp:setting
|
gptkb:London
|
|
gptkbp:theme
|
gptkb:identity
gptkb:transformation
class distinction
language and communication
|
|
gptkbp:bfsParent
|
gptkb:My_Fair_Lady
|
|
gptkbp:bfsLayer
|
4
|