|
gptkbp:instance_of
|
gptkb:anthology
|
|
gptkbp:bfsLayer
|
5
|
|
gptkbp:bfsParent
|
gptkb:They_Live
|
|
gptkbp:adaptation
|
gptkb:1985
gptkb:battle
|
|
gptkbp:adapted_into
|
gptkb:film
|
|
gptkbp:author
|
gptkb:Ray_Bradbury
|
|
gptkbp:character
|
gptkb:Alien_Controllers
|
|
gptkbp:character_arc
|
gptkb:Transformation
|
|
gptkbp:character_development
|
gptkb:Significant
|
|
gptkbp:character_relationships
|
gptkb:launch_complex
Internal
Naivety
|
|
gptkbp:climax
|
Confrontation with Reality
|
|
gptkbp:collection
|
gptkb:The_Best_of_Ray_Nelson
|
|
gptkbp:conflict
|
Man vs. Society
human vs. alien
|
|
gptkbp:critical_reception
|
Positive
|
|
gptkbp:cultural_impact
|
Influenced Sci-Fi Genre
|
|
gptkbp:cultural_references
|
Pop Culture
|
|
gptkbp:ends_at
|
Ambiguous
|
|
gptkbp:filmography
|
gptkb:They_Live
|
|
gptkbp:genre
|
gptkb:Author
|
|
gptkbp:has_gameplay_element
|
Glasses
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
Eight O' Clock in the Morning
|
|
gptkbp:influenced
|
Television Shows
|
|
gptkbp:influenced_artists
|
gptkb:Significant
|
|
gptkbp:influenced_by
|
gptkb:Monarch
gptkb:Philip_K._Dick
Political Climate
Dystopian Literature
|
|
gptkbp:inspired_by
|
gptkb:Dreams
|
|
gptkbp:is_motivated_by
|
Desire for Freedom
|
|
gptkbp:language
|
English
Naturalistic
|
|
gptkbp:length
|
Short
|
|
gptkbp:literary_devices
|
Irony
|
|
gptkbp:main_character
|
gptkb:George
|
|
gptkbp:message
|
Critique of Consumerism
|
|
gptkbp:motif
|
gptkb:Awakening
|
|
gptkbp:narrative_style
|
Linear
first-person
First Person
|
|
gptkbp:plot_twist
|
Revelation of Control
|
|
gptkbp:published_by
|
gptkb:1962
gptkb:1970
|
|
gptkbp:publishes
|
gptkb:Galaxy_Science_Fiction
|
|
gptkbp:reader_demographic
|
Varied
Thought-Provoking
|
|
gptkbp:resolution
|
Open-Ended
|
|
gptkbp:setting
|
gptkb:physicist
Futuristic Earth
Detailed
|
|
gptkbp:speed
|
Moderate
|
|
gptkbp:style
|
Satirical
|
|
gptkbp:symbolism
|
gptkb:sneaker
|
|
gptkbp:theme
|
perception of reality
|
|
gptkbp:themes
|
Existentialism
Reality vs. Illusion
|