|
gptkbp:instance_of
|
gptkb:film
|
|
gptkbp:aspect_ratio
|
2.35:1
|
|
gptkbp:awards
|
gptkb:N/_A
|
|
gptkbp:based_on
|
gptkb:Eight_O'_Clock_in_the_Morning
|
|
gptkbp:box_office
|
$13 million
|
|
gptkbp:budget
|
$3 million
|
|
gptkbp:character
|
gptkb:The_Alien_Soldier
gptkb:The_Alien_Thug
gptkb:The_Alien_Waitress
gptkb:The_Bartender
gptkb:The_Boss
gptkb:The_Friend
gptkb:The_Man
gptkb:The_Old_Man
gptkb:The_Stranger
gptkb:The_Waitress
gptkb:The_Woman
gptkb:The_Soldier
gptkb:The_Guard
gptkb:Frank
gptkb:The_Kid
gptkb:The_Resistance
gptkb:Holly_Thompson
gptkb:The_Thief
gptkb:The_Leader
gptkb:The_Scientist
gptkb:The_Informant
gptkb:The_Alien
gptkb:The_Police
The Worker
Nada
The Cop
The Bouncer
The Thug
The Man in the Street
The Woman in the Street
The Alien Bartender
The Alien Boss
The Alien Cop
The Alien Friend
The Alien Informant
The Alien Kid
The Alien Leader
The Alien Man in the Street
The Alien Old Man
The Alien Stranger
The Alien Woman in the Street
The Alien Worker
|
|
gptkbp:cinematography
|
gptkb:Gary_B._Kibbe
|
|
gptkbp:cinematography_by
|
gptkb:Gary_B._Kibbe
|
|
gptkbp:color
|
gptkb:Technicolor
gptkb:Color
|
|
gptkbp:country
|
gptkb:United_States
|
|
gptkbp:critical_reception
|
Mixed reviews
Cult classic
|
|
gptkbp:cult_status
|
gptkb:Yes
|
|
gptkbp:cultural_impact
|
Influenced various media and pop culture.
|
|
gptkbp:cultural_references
|
Referenced in various TV shows.
Referenced in literature.
Referenced in music.
Referenced in memes.
Referenced in video games.
|
|
gptkbp:director
|
gptkb:John_Carpenter
|
|
gptkbp:distributor
|
gptkb:Universal_Pictures
|
|
gptkbp:editing
|
Marion Rothman
|
|
gptkbp:famous_quote
|
I have come here to chew bubblegum and kick ass.
|
|
gptkbp:film_editing
|
Marion Rothman
|
|
gptkbp:film_series
|
gptkb:N/_A
|
|
gptkbp:filming_location
|
gptkb:Los_Angeles
|
|
gptkbp:genre
|
gptkb:science_fiction
gptkb:horror
|
|
gptkbp:home_media_release
|
gptkb:DVD
gptkb:Blu-ray
1989 VHS
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
They Live
|
|
gptkbp:influenced_by
|
gptkb:The_Invisible_Man
George Orwell's 1984
Ray Nelson's short story ' Eight O' Clock in the Morning'
Philip K. Dick's works.
|
|
gptkbp:influences
|
socio-political commentary
|
|
gptkbp:inspiration
|
John Carpenter's experiences.
|
|
gptkbp:language
|
English
|
|
gptkbp:legacy
|
Considered a classic in the genre.
Influential in pop culture and referenced in various media.
|
|
gptkbp:music
|
gptkb:Alan_Howarth
|
|
gptkbp:music_by
|
gptkb:John_Carpenter
gptkb:Alan_Howarth
|
|
gptkbp:notable_quote
|
I have come here to chew bubblegum and kick ass.
|
|
gptkbp:notable_scene
|
The final confrontation.
The rooftop chase.
The TV broadcast scene.
The alley fight scene.
The sunglasses reveal.
|
|
gptkbp:parody
|
Various media references.
|
|
gptkbp:plot
|
A drifter discovers that the ruling class are aliens concealing their appearance and controlling the populace.
|
|
gptkbp:premiere
|
gptkb:Cannes_Film_Festival
|
|
gptkbp:production_company
|
gptkb:Alive_Films
gptkb:Universal_Pictures
|
|
gptkbp:release_country
|
gptkb:United_States
|
|
gptkbp:release_date
|
gptkb:1988
November 4, 1988
|
|
gptkbp:release_year
|
gptkb:1988
|
|
gptkbp:remake
|
gptkb:N/_A
No
|
|
gptkbp:runtime
|
94 minutes
|
|
gptkbp:screenplay
|
gptkb:John_Carpenter
|
|
gptkbp:screenplay_by
|
gptkb:Ray_Nelson
|
|
gptkbp:sequel
|
gptkb:N/_A
No
|
|
gptkbp:soundtrack
|
gptkb:They_Live:_Original_Motion_Picture_Soundtrack
|
|
gptkbp:special_effects
|
gptkb:Rob_Bottin
|
|
gptkbp:starring
|
gptkb:Meg_Foster
gptkb:Keith_David
gptkb:Roddy_Piper
|
|
gptkbp:theme
|
Consumerism
Class struggle
Reality perception
|
|
gptkbp:bfsParent
|
gptkb:The_Ghosts_of_Mars
gptkb:Compass_International_Pictures
gptkb:Keith_David
gptkb:Christopher_Meloni
gptkb:John_Carpenter
gptkb:Roddy_Piper
gptkb:Chris_Meloni
gptkb:Drifter
|
|
gptkbp:bfsLayer
|
5
|