Statements (61)
| Predicate | Object |
|---|---|
| gptkbp:instance_of |
gptkb:musical_composition
|
| gptkbp:bfsLayer |
5
|
| gptkbp:bfsParent |
gptkb:Pachelbel
|
| gptkbp:adaptation |
for orchestra
for choir for string quartet for guitar |
| gptkbp:analysis |
widely studied
|
| gptkbp:artistic_influence |
gptkb:battle
|
| gptkbp:composer |
gptkb:Johann_Sebastian_Bach
|
| gptkbp:cultural_impact |
influenced modern music education
|
| gptkbp:cultural_significance |
important in music theory
|
| gptkbp:dedication |
gptkb:none
|
| gptkbp:duration |
approximately 60 minutes
|
| gptkbp:final_score |
unfinished
|
| gptkbp:form |
fugue
|
| gptkbp:genre |
Baroque music
|
| gptkbp:historical_context |
written during the Enlightenment
|
| https://www.w3.org/2000/01/rdf-schema#label |
Die Kunst der Fuge
|
| gptkbp:influence |
Western classical music
|
| gptkbp:inspired |
many composers
|
| gptkbp:instrument |
keyboard instruments
|
| gptkbp:key |
D minor
|
| gptkbp:movement |
gptkb:14
|
| gptkbp:music_style |
gptkb:DJ
chromaticism imitation transposition modulation counterpoint harmonic progression phrase structure textural contrast retrograde dynamic contrast augmentation diminution rhythmic variation subject and answer formal design fugal exposition pedal point stretto tonal structure |
| gptkbp:notable_features |
counterpoint
|
| gptkbp:notable_recordings |
gptkb:Glenn_Gould
gptkb:Murray_Perahia gptkb:András_Schiff gptkb:Angela_Hewitt gptkb:Richard_Egarr many available |
| gptkbp:performed_by |
in concert halls
|
| gptkbp:premiere |
not performed during composer's lifetime
|
| gptkbp:published_by |
posthumously
|
| gptkbp:result |
gptkb:battle
|
| gptkbp:social_structure |
thematic development
|
| gptkbp:style |
polyphonic
|
| gptkbp:thematic_element |
based on a single theme
explores variations |
| gptkbp:transcribed_for |
for various ensembles
|
| gptkbp:year_composed |
1750
|