Statements (26)
| Predicate | Object |
|---|---|
| gptkbp:instanceOf |
gptkb:film
|
| gptkbp:alsoKnownAs |
gptkb:The_Last_Laugh
|
| gptkbp:cinematography |
gptkb:Karl_Freund
|
| gptkbp:countryOfOrigin |
gptkb:Germany
|
| gptkbp:designer |
gptkb:Robert_Herlth
gptkb:Walter_Röhrig |
| gptkbp:director |
gptkb:F._W._Murnau
|
| gptkbp:distributor |
gptkb:UFA
|
| gptkbp:genre |
drama
silent film |
| https://www.w3.org/2000/01/rdf-schema#label |
Der Letzte Mann
|
| gptkbp:language |
Silent film
|
| gptkbp:mainActor |
gptkb:Maly_Delschaft
gptkb:Max_Hiller gptkb:Emil_Jannings |
| gptkbp:musicBy |
gptkb:Giuseppe_Becce
|
| gptkbp:notableFor |
innovative camera techniques
use of the 'unchained camera' |
| gptkbp:plotSummary |
A hotel doorman is demoted and struggles with loss of status.
|
| gptkbp:productionCompany |
gptkb:UFA
|
| gptkbp:releaseYear |
1924
|
| gptkbp:runtime |
90 minutes
|
| gptkbp:screenwriter |
gptkb:Carl_Mayer
|
| gptkbp:setting |
gptkb:Berlin
|
| gptkbp:bfsParent |
gptkb:Carl_Mayer
|
| gptkbp:bfsLayer |
5
|