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gptkbp:instanceOf
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gptkb:film
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|
gptkbp:authorOfSourceMaterial
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gptkb:Heinrich_Mann
|
|
gptkbp:award
|
gptkb:National_Board_of_Review:_Top_Foreign_Film_1930
|
|
gptkbp:basedOn
|
gptkb:Professor_Unrat_(novel)
|
|
gptkbp:cinematography
|
gptkb:Günther_Rittau
gptkb:Hans_Schneeberger
|
|
gptkbp:color
|
black-and-white
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|
gptkbp:countryOfOrigin
|
gptkb:Germany
|
|
gptkbp:director
|
gptkb:Josef_von_Sternberg
|
|
gptkbp:distributor
|
gptkb:UFA
|
|
gptkbp:editingBy
|
gptkb:Sam_Winston
|
|
gptkbp:filmingLocation
|
gptkb:Berlin
gptkb:UFA_Studios
|
|
gptkbp:genre
|
gptkb:musical
drama
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
Der Blaue Engel (film)
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|
gptkbp:language
|
gptkb:German
English
|
|
gptkbp:musicBy
|
gptkb:Friedrich_Hollaender
|
|
gptkbp:notableFor
|
influential in film history
Marlene Dietrich's breakthrough role
classic of German cinema
first major German sound film
one of the first German language talkies
simultaneously shot in English and German
|
|
gptkbp:notableSong
|
gptkb:Falling_in_Love_Again_(Can't_Help_It)
|
|
gptkbp:originalTitle
|
gptkb:Der_blaue_Engel
|
|
gptkbp:preservedIn
|
gptkb:United_States_National_Film_Registry
|
|
gptkbp:producer
|
gptkb:Erich_Pommer
|
|
gptkbp:productionCompany
|
gptkb:UFA
|
|
gptkbp:releaseDate
|
1930-03-31
|
|
gptkbp:runtime
|
106 minutes
|
|
gptkbp:screenwriter
|
gptkb:Carl_Zuckmayer
gptkb:Karl_Vollmöller
gptkb:Robert_Liebmann
|
|
gptkbp:sequel
|
gptkb:The_Blue_Angel_(1959_film)
|
|
gptkbp:setInPeriod
|
gptkb:Weimar_Republic
|
|
gptkbp:starring
|
gptkb:Emil_Jannings
gptkb:Marlene_Dietrich
gptkb:Hans_Albers
gptkb:Kurt_Gerron
gptkb:Rosa_Valetti
|
|
gptkbp:subject
|
gptkb:nightclub
tragedy
obsession
teacher-student relationship
|
|
gptkbp:title
|
gptkb:The_Blue_Angel
|
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gptkbp:bfsParent
|
gptkb:The_Blue_Angel_cabaret
|
|
gptkbp:bfsLayer
|
6
|