|
gptkbp:instance_of
|
gptkb:musical
gptkb:play
gptkb:film
|
|
gptkbp:bfsLayer
|
3
|
|
gptkbp:bfsParent
|
gptkb:Emil_Jannings
|
|
gptkbp:adaptation
|
gptkb:musical
gptkb:The_Blue_Angel_(novel)
gptkb:theatre
|
|
gptkbp:adapted_into
|
gptkb:film
|
|
gptkbp:artist
|
Hans Albrecht
|
|
gptkbp:associated_with
|
cabaret culture
|
|
gptkbp:awards
|
gptkb:award
gptkb:Best_Director
Best Musical
Best Choreography
Academy Award nomination for Best Actor
Nominated for Academy Award for Best Actor
|
|
gptkbp:based_on
|
gptkb:The_Blue_Angel_(film)
The Blue Angel (play)
short story by Heinrich Mann
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|
gptkbp:box_office
|
Successful in its time.
successful in Europe
|
|
gptkbp:cast
|
gptkb:Natasha_Richardson
gptkb:Alan_Cumming
gptkb:Michael_Ball
gptkb:Ewan_Mc_Gregor
gptkb:Daniel_Craig
gptkb:Emma_Thompson
gptkb:Hugh_Jackman
gptkb:John_Kander
gptkb:Angela_Lansbury
gptkb:David_Hasselhoff
gptkb:Liza_Minnelli
gptkb:Ute_Lemper
gptkb:Rufus_Sewell
gptkb:Catherine_Zeta-Jones
gptkb:Jude_Law
gptkb:Kristin_Chenoweth
gptkb:Fred_Ebb
gptkb:Idina_Menzel
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|
gptkbp:character
|
gptkb:Lola_Lola
gptkb:Professor_Immanuel_Rath
The students
Käthe
The cabaret patrons
|
|
gptkbp:character_development
|
tragic arc
|
|
gptkbp:choreography
|
gptkb:Martha_Graham
|
|
gptkbp:cinematography
|
gptkb:Karl_Freund
|
|
gptkbp:color
|
Black and white
black and white
|
|
gptkbp:composer
|
D. M. M. K. K.
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|
gptkbp:country
|
gptkb:government_agency
|
|
gptkbp:critical_reception
|
mixed reviews
mixed reviews upon release
Mixed reviews upon release
|
|
gptkbp:cultural_impact
|
influential film
considered a classic of German cinema
Influenced later films about obsession and downfall.
|
|
gptkbp:cultural_significance
|
reflection of societal changes
Represents the Weimar Republic era.
|
|
gptkbp:depicts
|
the decadence of Weimar Germany
|
|
gptkbp:directed_by
|
gptkb:Josef_von_Sternberg
|
|
gptkbp:director
|
gptkb:Josef_von_Sternberg
gptkb:Robert_Wilson
|
|
gptkbp:distribution
|
gptkb:UFA
|
|
gptkbp:distributor
|
gptkb:UFA
|
|
gptkbp:edited_by
|
gptkb:Bertold_Viertel
|
|
gptkbp:features
|
cabaret singer
|
|
gptkbp:film_score
|
Notable for its musical numbers.
|
|
gptkbp:filmography
|
gptkb:Bertold_Viertel
expressionism
|
|
gptkbp:first_performance
|
1950
|
|
gptkbp:follows
|
a professor's downfall
|
|
gptkbp:genre
|
gptkb:musical
gptkb:High_School
|
|
gptkbp:has_cameo
|
Various actors
|
|
gptkbp:historical_context
|
gptkb:Weimar_Republic
|
|
gptkbp:home_media_release
|
Released on DVD and Blu-ray.
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
The Blue Angel
|
|
gptkbp:influenced
|
gptkb:Film_noir
German cinema
film noir
film noir aesthetics
Subsequent films
subsequent films about cabaret culture
the portrayal of femme fatales
subsequent German theater
Marlene Dietrich's career
The portrayal of cabaret culture.
Later musical films.
|
|
gptkbp:influenced_by
|
gptkb:German_Expressionism
gptkb:Expressionism
gptkb:Weimar_Republic
Cabaret culture
Weimar Republic culture
|
|
gptkbp:influences
|
future filmmakers
|
|
gptkbp:inspiration
|
Inspired various adaptations and interpretations.
|
|
gptkbp:inspired
|
the song ' Falling in Love Again'
the term ' Blue Angel' in popular culture
|
|
gptkbp:inspired_by
|
gptkb:German_Expressionism
Cabaret style
|
|
gptkbp:is_a
|
gptkb:film
|
|
gptkbp:is_available_in
|
gptkb:film
|
|
gptkbp:is_available_on
|
gptkb:DJ
gptkb:film
|
|
gptkbp:is_cited_in
|
Film studies
|
|
gptkbp:is_considered
|
A classic film
|
|
gptkbp:is_part_of
|
German cinema history
|
|
gptkbp:is_recognized_by
|
gptkb:AFI
|
|
gptkbp:language
|
gptkb:Native_American_tribe
|
|
gptkbp:legacy
|
classic status
Considered a classic of world cinema.
|
|
gptkbp:lyricist
|
D. M. M. K. K.
|
|
gptkbp:main_character
|
gptkb:Lola_Lola
gptkb:Professor_Immanuel_Rath
|
|
gptkbp:music
|
Hans Albrecht
|
|
gptkbp:music_by
|
Hans Albrecht
|
|
gptkbp:notable_appearance
|
The final confrontation
the cabaret performance
Professor Rath's performance in the cabaret
The cabaret performance
The professor's downfall
|
|
gptkbp:notable_for
|
Cinematography style
Marlene Dietrich's breakout role
Marlene Dietrich's performance
|
|
gptkbp:notable_production
|
1959 film adaptation
1980 stage adaptation
2000 Vienna production
2002 Berlin production
2005 London production
2008 New York production
|
|
gptkbp:notable_quote
|
' I am a woman, and I am a woman who loves.'
' I am a woman, and I am a star.'
|
|
gptkbp:notable_song
|
gptkb:I_Don't_Care
gptkb:The_Blue_Angel
gptkb:The_Song_of_the_Blue_Angel
gptkb:Falling_in_Love_Again
|
|
gptkbp:official_language
|
gptkb:Native_American_tribe
|
|
gptkbp:performed_by
|
gptkb:theater_festivals
|
|
gptkbp:plot
|
A professor falls in love with a cabaret singer.
|
|
gptkbp:premiered_on
|
gptkb:2000
gptkb:Berlin
|
|
gptkbp:produced_by
|
gptkb:Theater_an_der_Wien
gptkb:Erich_Pommer
|
|
gptkbp:release_date
|
October 1, 1930
|
|
gptkbp:release_year
|
gptkb:1930
|
|
gptkbp:released_in
|
gptkb:1930
|
|
gptkbp:remake
|
gptkb:1959
gptkb:The_Blue_Angel_(1959_film)
gptkb:The_Blue_Angel_(1959)
|
|
gptkbp:restoration
|
2000s
Restored versions exist.
|
|
gptkbp:runtime
|
100 minutes
|
|
gptkbp:screenings
|
Screened at film festivals.
|
|
gptkbp:screenplay_by
|
gptkb:Carl_Zuckmayer
|
|
gptkbp:set_in
|
gptkb:government_agency
gptkb:Berlin
gptkb:The_Weimar_Republic
|
|
gptkbp:setting
|
gptkb:Berlin
|
|
gptkbp:starring
|
gptkb:Emil_Jannings
gptkb:Marlene_Dietrich
|
|
gptkbp:thematic_element
|
gptkb:jealousy
gptkb:artwork
love
despair
|
|
gptkbp:themes
|
gptkb:betrayal
love
Societal norms
love and betrayal
Love and betrayal
despair
Desire and obsession
The clash of cultures
love, betrayal, and obsession
|
|
gptkbp:written_by
|
gptkb:Henrik_Ibsen
|