|
gptkbp:instance_of
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gptkb:novel
|
|
gptkbp:bfsLayer
|
5
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|
gptkbp:bfsParent
|
gptkb:Arthur_Koestler
|
|
gptkbp:adaptation
|
gptkb:theatre
gptkb:2000
gptkb:film
1953
|
|
gptkbp:author
|
gptkb:Arthur_Koestler
|
|
gptkbp:character_development
|
gptkb:moral_ambiguity
psychological depth
|
|
gptkbp:conflict
|
internal conflict
|
|
gptkbp:critical_reception
|
widely acclaimed
|
|
gptkbp:cultural_impact
|
studied in literature courses
reference in popular culture
discussed in political theory
|
|
gptkbp:genre
|
political fiction
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
Darkness at Noon
|
|
gptkbp:influence
|
Cold War literature
|
|
gptkbp:influenced
|
gptkb:Aldous_Huxley
gptkb:George_Orwell
|
|
gptkbp:inspiration
|
gptkb:Stalin's_Great_Purge
|
|
gptkbp:is_cited_in
|
academic papers
philosophical discussions
historical analyses
sociological studies
literary critiques
|
|
gptkbp:is_critical_for
|
explores human nature
examines power dynamics
questions morality
analyzes ideology
|
|
gptkbp:isbn
|
978-1-56619-909-4
|
|
gptkbp:language
|
English
|
|
gptkbp:literary_devices
|
gptkb:language
gptkb:mythological_figure
gptkb:literary_work
flashbacks
irony
|
|
gptkbp:main_character
|
gptkb:Rubashov
a former Bolshevik
|
|
gptkbp:narrative_style
|
third-person narrative
|
|
gptkbp:next_edition
|
gptkb:1940
|
|
gptkbp:notable_quote
|
" In the end, the man who is not a coward is the man who is not afraid of the truth."
|
|
gptkbp:page_count
|
288
|
|
gptkbp:published_by
|
gptkb:1940
gptkb:New_York
|
|
gptkbp:publisher
|
gptkb:The_Viking_Press
|
|
gptkbp:series
|
gptkb:CEO
|
|
gptkbp:setting
|
gptkb:Monarch
|
|
gptkbp:symbolism
|
the guillotine
the prison
|
|
gptkbp:theme
|
gptkb:betrayal
gptkb:political_organization
|
|
gptkbp:translated_into
|
gptkb:D._M._Thomas
|