Statements (115)
| Predicate | Object |
|---|---|
| gptkbp:instance_of |
gptkb:poetry
gptkb:opera |
| gptkbp:adaptation |
gptkb:video_games
gptkb:film_adaptations graphic novels musical adaptations |
| gptkbp:adaptations |
gptkb:video_games
gptkb:films gptkb:opera gptkb:theater_productions |
| gptkbp:adapted_into |
gptkb:films
gptkb:theater_productions various operas |
| gptkbp:author |
gptkb:Dante_Alighieri
|
| gptkbp:contains |
gptkb:metaphor
gptkb:mythological_figure gptkb:historical_figures symbolism imagery |
| gptkbp:critical_reception |
widely studied
widely regarded as a masterpiece translated into many languages studied in literature courses subject of scholarly analysis influential in literary theory |
| gptkbp:cultural_impact |
inspired numerous adaptations
influenced literature influenced philosophy influenced art influenced music influenced religion |
| gptkbp:cultural_significance |
considered a masterpiece
influenced the Renaissance part of the canon of Western literature foundational work of Western literature explores human morality reflects personal and political struggles of Dante. depicts the afterlife according to Christian theology |
| gptkbp:genre |
gptkb:poetry
gptkb:allegory |
| gptkbp:historical_context |
Medieval Italy
Catholic Church influence medieval Italy political strife in Florence political exile of Dante |
| https://www.w3.org/2000/01/rdf-schema#label |
Dante's Divine Comedy
|
| gptkbp:influence |
Western literature
|
| gptkbp:influenced_by |
gptkb:Christian_theology
classical literature medieval philosophy Roman Catholic doctrine |
| gptkbp:inspiration |
gptkb:philosopher
gptkb:artists gptkb:Writer gptkb:musicians gptkb:philosophy Renaissance art modern literature |
| gptkbp:is_divided_into |
three parts
|
| gptkbp:language |
gptkb:Italian
|
| gptkbp:legacy |
influenced modern literature
influenced the Renaissance influenced religious thought considered a foundational text |
| gptkbp:literary_devices |
gptkb:personification
gptkb:allegory symbolism imagery terza rima |
| gptkbp:narrative_style |
first-person
allegorical |
| gptkbp:notable_character |
gptkb:Lucifer
gptkb:Beatrice gptkb:Virgil |
| gptkbp:notable_characters |
gptkb:Lucifer
gptkb:Beatrice gptkb:Virgil |
| gptkbp:notable_quote |
Abandon all hope, ye who enter here.
The darkest places in hell are reserved for those who maintain their neutrality. In His will is our peace. The road to hell is paved with good intentions. The darkest places in hell are reserved for those who maintain their neutrality in times of moral crisis. |
| gptkbp:notable_work |
gptkb:The_Inferno
gptkb:The_Paradiso gptkb:The_Purgatorio |
| gptkbp:original_title_translation |
gptkb:comedy
|
| gptkbp:part_of |
gptkb:Inferno
gptkb:Paradiso gptkb:Purgatorio |
| gptkbp:posthumous_recognition |
yes
|
| gptkbp:published |
1320
|
| gptkbp:published_in |
14th century
|
| gptkbp:set_in |
the afterlife
|
| gptkbp:setting |
the afterlife
Christian afterlife |
| gptkbp:structure |
three parts
|
| gptkbp:symbolism |
light and darkness
journey number three |
| gptkbp:theme |
redemption
|
| gptkbp:themes |
gptkb:justice
gptkb:Christian_theology gptkb:moral_philosophy love free will political commentary redemption the human condition divine justice |
| gptkbp:title |
Commedia
|
| gptkbp:written_by |
gptkb:Dante_Alighieri
|
| gptkbp:written_in |
terza rima
|
| gptkbp:bfsParent |
gptkb:The_Last_Judgment
gptkb:The_Aeneid |
| gptkbp:bfsLayer |
4
|