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gptkbp:instance_of
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gptkb:musical_composition
|
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gptkbp:characteristics
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ornamentation
dynamic contrasts
lyrical themes
virtuosic passages
improvisation opportunities
|
|
gptkbp:composer
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gptkb:Carl_Philipp_Emanuel_Bach
|
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gptkbp:cultural_impact
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influence on contemporary music
influence on orchestral music
influence on chamber music
influence on piano concertos
influence on Romantic composers
influence on solo instrumental music
|
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gptkbp:curriculum
|
gptkb:High_School
|
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gptkbp:dedicated_to
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gptkb:Frederick_the_Great
|
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gptkbp:genre
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gptkb:Piano_Sonata
|
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gptkbp:historical_context
|
pre-Classical era
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gptkbp:historical_significance
|
transition to Classical period
|
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https://www.w3.org/2000/01/rdf-schema#label
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Concerto in E minor, H. 427
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gptkbp:influenced
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later composers
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gptkbp:influenced_by
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Baroque music
|
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gptkbp:instrument
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strings
harpsichord
continuo
|
|
gptkbp:is_analyzed_in
|
musicology studies
|
|
gptkbp:key
|
E minor
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gptkbp:movement
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gptkb:Allegro
gptkb:Adagio
Allegro assai
three
|
|
gptkbp:notable_feature
|
contrast between movements
|
|
gptkbp:notable_for
|
expressive melodies
|
|
gptkbp:notable_recordings
|
gptkb:Murray_Perahia
gptkb:Andreas_Staier
gptkb:Concerto_Köln
gptkb:Angela_Hewitt
gptkb:Il_Giardino_Armonico
|
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gptkbp:opus_number
|
H. 427
|
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gptkbp:performed_by
|
gptkb:orchestra
music festivals
concert halls
|
|
gptkbp:published_by
|
1750s
|
|
gptkbp:recorded_by
|
various artists
|
|
gptkbp:repertoire
|
classical music
|
|
gptkbp:style
|
Empfindsamer Stil
|
|
gptkbp:year_composed
|
mid-18th century
|
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gptkbp:bfsParent
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gptkb:C._P._E._Bach
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gptkbp:bfsLayer
|
5
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