Concerto in C major for Harpsichord, H. 432
GPTKB entity
Statements (56)
| Predicate | Object |
|---|---|
| gptkbp:instance_of |
gptkb:musical_composition
|
| gptkbp:arrangements |
transcriptions for piano
|
| gptkbp:artistic_influence |
influenced by the galant style
|
| gptkbp:audience |
popular among classical music audiences
|
| gptkbp:characteristics |
expressive and dynamic contrasts
|
| gptkbp:composer |
gptkb:Carl_Philipp_Emanuel_Bach
|
| gptkbp:critical_reception |
well-received by musicologists
|
| gptkbp:cultural_impact |
influenced the harpsichord revival
|
| gptkbp:cultural_significance |
remains relevant in contemporary performances
important work in the transition to Classical music |
| gptkbp:dedication |
gptkb:unknown
|
| gptkbp:duration |
approximately 15 minutes
|
| gptkbp:educational_use |
studied in music conservatories
|
| gptkbp:famous_event |
performed at music festivals
|
| gptkbp:features_song |
features lively rhythms and expressive melodies
|
| gptkbp:first_performance |
gptkb:unknown
|
| gptkbp:form |
gptkb:Concerto_for_Orchestra
|
| gptkbp:historical_context |
written during the 18th century
|
| gptkbp:historical_interpretation |
varied interpretations by different artists
|
| gptkbp:historical_significance |
important in the evolution of keyboard music
|
| https://www.w3.org/2000/01/rdf-schema#label |
Concerto in C major for Harpsichord, H. 432
|
| gptkbp:influence_on |
development of the concerto genre
|
| gptkbp:influences |
gptkb:Johann_Sebastian_Bach
|
| gptkbp:inspiration |
influenced later composers
|
| gptkbp:instrument |
harpsichord
|
| gptkbp:instruments |
strings and continuo
|
| gptkbp:involved_forces |
orchestra and solo harpsichord
|
| gptkbp:key |
C major
|
| gptkbp:legacy |
remains popular in concert repertoire
|
| gptkbp:music_composer |
gptkb:Berlin_Philharmonic
|
| gptkbp:music_style |
three-movement structure
frequently analyzed in music theory courses characterized by clarity and elegance fast-slow-fast part of the keyboard concerto repertoire |
| gptkbp:notable_artists |
gptkb:Angela_Hewitt
|
| gptkbp:notable_conductors |
gptkb:Bernstein
|
| gptkbp:notable_features |
use of ornamentation
|
| gptkbp:notable_harpsichordists |
gptkb:Masaaki_Suzuki
|
| gptkbp:notable_performances |
performed by renowned soloists
performed on period instruments |
| gptkbp:notable_recordings |
gptkb:Murray_Perahia
|
| gptkbp:number_of_movements |
three
|
| gptkbp:opus_number |
H. 432
|
| gptkbp:performance |
historically informed performance
|
| gptkbp:performance_venue |
concert halls worldwide
|
| gptkbp:published |
1753
|
| gptkbp:record_label |
gptkb:Deutsche_Grammophon
|
| gptkbp:recordings |
uses modern recording technology
|
| gptkbp:related_works |
other concertos by C. P. E. Bach
|
| gptkbp:signature |
C. P. E. Bach's unique style
|
| gptkbp:style |
gptkb:Baroque
|
| gptkbp:thematic_element |
melodic and rhythmic motifs
|
| gptkbp:theme |
explores contrasting themes
|
| gptkbp:bfsParent |
gptkb:C._P._E._Bach
|
| gptkbp:bfsLayer |
5
|