|
gptkbp:instance_of
|
gptkb:musical_composition
|
|
gptkbp:arrangements
|
for piano
|
|
gptkbp:artistic_influence
|
inspired later concertos
|
|
gptkbp:artistic_legacy
|
remains a staple of the harpsichord repertoire
|
|
gptkbp:composer
|
gptkb:Johann_Sebastian_Bach
|
|
gptkbp:cultural_impact
|
performed in concert halls worldwide
|
|
gptkbp:cultural_significance
|
important work in Baroque repertoire
|
|
gptkbp:dedicated_to
|
gptkb:Wilhelm_Ernst,_Duke_of_Saxe-Weimar
|
|
gptkbp:duration
|
approximately 20 minutes
|
|
gptkbp:famous_event
|
gptkb:Bachfest_Leipzig
|
|
gptkbp:first_performance
|
1730 in Weimar
|
|
gptkbp:form
|
concerto grosso
|
|
gptkbp:harpsichord_part
|
two solo parts
|
|
gptkbp:historical_context
|
written during Bach's Weimar period
|
|
gptkbp:historical_significance
|
one of Bach's most popular concertos
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
Concerto in B major for Two Harpsichords and Strings
|
|
gptkbp:influenced_artists
|
gptkb:Wolfgang_Amadeus_Mozart
classical music
|
|
gptkbp:influenced_by
|
Italian concerto form
|
|
gptkbp:instrumentation
|
strings
two harpsichords
|
|
gptkbp:key
|
B major
|
|
gptkbp:music_style
|
three movements
frequent subject of academic study
|
|
gptkbp:notable_artists
|
gptkb:Angela_Hewitt
|
|
gptkbp:notable_collaborations
|
gptkb:Bach_Collegium_Japan
|
|
gptkbp:notable_collection
|
gptkb:The_Sixteen
|
|
gptkbp:notable_conductors
|
gptkb:John_Eliot_Gardiner
|
|
gptkbp:notable_performance
|
gptkb:Academy_of_Ancient_Music
|
|
gptkbp:notable_performers
|
gptkb:Christophe_Rousset
|
|
gptkbp:notable_production
|
gptkb:Brandenburg_Concertos
|
|
gptkbp:notable_recordings
|
Masaaki Suzuki and Bach Collegium Japan
Murray Perahia and the English Chamber Orchestra
|
|
gptkbp:number_of_movements
|
gptkb:3
|
|
gptkbp:orchestration
|
strings and continuo
|
|
gptkbp:performance
|
historically informed performance
|
|
gptkbp:performed_in
|
gptkb:orchestra
|
|
gptkbp:published
|
1750
|
|
gptkbp:record_label
|
gptkb:Deutsche_Grammophon
|
|
gptkbp:related_works
|
gptkb:Concerto_in_C_major_for_Two_Harpsichords
|
|
gptkbp:second_movement
|
gptkb:Allegro
gptkb:Largo
|
|
gptkbp:signature
|
two sharps
|
|
gptkbp:style
|
gptkb:Baroque
|
|
gptkbp:thematic_element
|
counterpoint
|
|
gptkbp:theme
|
dialogue between harpsichords
|
|
gptkbp:year_composed
|
1730
|
|
gptkbp:bfsParent
|
gptkb:Carl_Friedrich_Abel
|
|
gptkbp:bfsLayer
|
5
|