Statements (65)
Predicate | Object |
---|---|
gptkbp:instance_of |
gptkb:musical_composition
|
gptkbp:bfsLayer |
3
|
gptkbp:bfsParent |
gptkb:Philip_Glass
|
gptkbp:arrangements |
for two pianos solo
|
gptkbp:artist |
gptkb:Lang_Lang
|
gptkbp:artistic_legacy |
remains a staple in piano repertoire.
|
gptkbp:audience |
engages audiences with its interplay
|
gptkbp:collaborations |
collaborative performances by famous duos
|
gptkbp:competitors |
featured in piano competitions
|
gptkbp:composer |
gptkb:Francis_Poulenc
gptkb:Wolfgang_Amadeus_Mozart |
gptkbp:critical_reception |
well-received by audiences and critics
|
gptkbp:cultural_impact |
part of classical music canon
|
gptkbp:cultural_significance |
important work in piano repertoire
|
gptkbp:dedication |
to the Countess of Thun
to the duo of Jean and Romain Rolland |
gptkbp:duration |
approximately 20 minutes
approximately 30 minutes |
gptkbp:filming_location |
gptkb:Vienna
|
gptkbp:first_performance |
1779
|
gptkbp:focuses_on |
often used in piano pedagogy
|
gptkbp:genre |
gptkb:Piano_Sonata
|
gptkbp:historical_context |
composed during the Classical period
by famous duos |
https://www.w3.org/2000/01/rdf-schema#label |
Concerto for Two Pianos
|
gptkbp:influence |
inspired later works for multiple pianos
|
gptkbp:influenced |
later composers like Poulenc
|
gptkbp:influences |
French classical music
|
gptkbp:instrument |
piano, strings, woodwinds, brass, percussion
|
gptkbp:instrumentation |
two pianos and orchestra
|
gptkbp:is_a_venue_for |
concert halls worldwide
|
gptkbp:key |
C major
E-flat major |
gptkbp:movement |
gptkb:Allegro
gptkb:Largo gptkb:3 Rondo |
gptkbp:music_style |
concerto form
subject of musicological research analyzed for its structure and harmony |
gptkbp:notable_conductors |
gptkb:Bernstein
|
gptkbp:notable_performance |
performed at major music festivals
performed by renowned pianists two pianists and orchestra |
gptkbp:notable_performers |
gptkb:Garrick_Ohlsson
gptkb:Martha_Argerich |
gptkbp:notable_recordings |
multiple recordings available
Murray Perahia and Daniel Barenboim |
gptkbp:orchestration |
two pianos and orchestra
orchestra and two pianos |
gptkbp:part_of |
2
|
gptkbp:performance |
requires collaboration between pianists
performed in historically informed ways |
gptkbp:premiere |
gptkb:1932
|
gptkbp:premiere_date |
gptkb:1932
|
gptkbp:published_by |
by Artaria
|
gptkbp:publisher |
Durand
|
gptkbp:record_label |
gptkb:Deutsche_Grammophon
|
gptkbp:related_works |
gptkb:Piano_Concerto_No._10_in_E-flat_major,_K._365
|
gptkbp:style |
Classical
neoclassical |
gptkbp:thematic_element |
dialogue between pianos
|
gptkbp:theme |
lyrical and virtuosic themes
|
gptkbp:transcribed_for |
transcribed for various ensembles
|
gptkbp:year_composed |
1779
|