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gptkbp:instance_of
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gptkb:musical_composition
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gptkbp:arrangements
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arranged for various ensembles
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gptkbp:composer
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gptkb:Francis_Poulenc
gptkb:Alberto_Ginastera
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gptkbp:critical_reception
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generally positive
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gptkbp:cultural_impact
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influenced contemporary harp compositions
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gptkbp:cultural_significance
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important work in harp repertoire
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gptkbp:dedication
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gptkb:Nadia_Boulanger
gptkb:Nicanor_Zabaleta
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gptkbp:duration
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approximately 20 minutes
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gptkbp:educational_use
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used in music education
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gptkbp:educational_value
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used in music education
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gptkbp:famous_event
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gptkb:BBC_Proms
gptkb:Festival_de_musique_de_Besançon
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gptkbp:first_performance
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gptkb:Paris
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|
gptkbp:ginastera's_awards
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multiple international awards
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gptkbp:ginastera's_education
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studied in Europe
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gptkbp:ginastera's_era
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mid-20th century
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gptkbp:ginastera's_impact
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significant in Latin American music
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|
gptkbp:ginastera's_influences
|
European classical traditions
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|
gptkbp:ginastera's_legacy
|
important figure in classical music
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gptkbp:ginastera's_nationality
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Argentinian
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gptkbp:ginastera's_other_works
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gptkb:Piano_Concerto_No._1
gptkb:Variaciones_concertantes
gptkb:Native_American_culture
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gptkbp:ginastera's_style
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modernist elements
characterized by rhythmic complexity
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gptkbp:harp_concertos
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one of the most performed
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gptkbp:harp_repertoire
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standard repertoire piece
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|
gptkbp:harp_soloist
|
featured prominently
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|
gptkbp:harp_technique
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requires advanced skills
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gptkbp:historical_context
|
written between the World Wars
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|
https://www.w3.org/2000/01/rdf-schema#label
|
Concerto for Harp and Orchestra
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gptkbp:influenced_by
|
gptkb:French_Impressionism
Baroque music
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|
gptkbp:influences
|
gptkb:jazz
Argentinian folk music
French music
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gptkbp:inspiration
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inspired by earlier concertos
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gptkbp:instrumentation
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gptkb:orchestra
gptkb:harp
brass
strings
percussion
woodwinds
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|
gptkbp:legacy
|
considered a staple of harp repertoire
influenced future harp compositions
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|
gptkbp:movement
|
three
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gptkbp:music_composer
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gptkb:Orchestre_de_Paris
gptkb:London_Symphony_Orchestra
|
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gptkbp:music_style
|
frequently analyzed in musicology
three-movement form
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|
gptkbp:musical_elements
|
rhythmic complexity
dynamic contrasts
lyrical melodies
harmonic innovation
textural variety
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gptkbp:notable_conductors
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gptkb:Charles_Dutoit
gptkb:Bernstein
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gptkbp:notable_performances
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performed by major orchestras
performed by renowned harpists
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gptkbp:notable_performers
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gptkb:Nicanor_Zabaleta
gptkb:Marielle_Nordmann
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gptkbp:notable_recordings
|
available on various labels
performed by harpists worldwide
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|
gptkbp:number_of_movements
|
three
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|
gptkbp:number_of_stages
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gptkb:orchestra
|
|
gptkbp:orchestration
|
rich and colorful
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|
gptkbp:performance
|
concert halls
challenging for harpists
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|
gptkbp:performance_tradition
|
frequently performed
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|
gptkbp:performed_by
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full orchestra
solo harpist
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gptkbp:premiere
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gptkb:1965
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gptkbp:premiere_date
|
1934
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gptkbp:published_by
|
Durand
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gptkbp:recordings
|
multiple recordings available
multiple recordings exist
available on various labels
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|
gptkbp:related_works
|
gptkb:Poulenc's_chamber_music
Poulenc's other concertos
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gptkbp:second_movement
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gptkb:Allegro
gptkb:Adagio
Allegro molto
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gptkbp:significance
|
important work in harp repertoire
|
|
gptkbp:style
|
gptkb:neoclassicism
20th-century classical music
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gptkbp:theme
|
derived from folk elements
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gptkbp:year_composed
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gptkb:1959
1934
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gptkbp:bfsParent
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gptkb:Vienna_Philharmonic_Orchestra
|
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gptkbp:bfsLayer
|
4
|