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gptkbp:instance_of
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gptkb:Piano_Sonata
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|
gptkbp:bfsLayer
|
4
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gptkbp:bfsParent
|
gptkb:Alfred_Schnittke
gptkb:Handel's_Concerti_Grossi,_Op._3
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gptkbp:available_formats
|
gptkb:downloadable_content
gptkb:Vinyl
CD
Streaming
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gptkbp:composer
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gptkb:Arcangelo_Corelli
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gptkbp:cultural_significance
|
Influential in the development of the concerto form.
|
|
gptkbp:dedicated_to
|
gptkb:Prince_Francesco_Maria_Ruspoli
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|
gptkbp:duration
|
approximately 15 minutes
|
|
gptkbp:genre
|
Classical
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gptkbp:historical_context
|
Part of the transition from Renaissance to Baroque.
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
Concerto Grosso No. 1
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gptkbp:influenced
|
Later composers of concertos.
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|
gptkbp:influenced_by
|
Italian Baroque music
Corelli's earlier works.
French orchestral music.
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gptkbp:instrument
|
Cello
Continuo
Violin
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|
gptkbp:key
|
D major
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|
gptkbp:movement
|
gptkb:Allegro
gptkb:Largo
gptkb:4
Vivace
|
|
gptkbp:notable_features
|
Contrast between solo and ensemble.
Melodic development.
Rhythmic vitality.
Use of ornamentation.
|
|
gptkbp:notable_performance
|
gptkb:Royal_Concertgebouw_Orchestra
gptkb:Vienna_Philharmonic_Orchestra
gptkb:Berlin_Philharmonic_Orchestra
gptkb:London_Symphony_Orchestra
Los Angeles Philharmonic.
|
|
gptkbp:notable_recordings
|
gptkb:The_English_Concert
|
|
gptkbp:number_of_stages
|
gptkb:orchestra
|
|
gptkbp:performed_by
|
gptkb:The_Academy_of_St._Martin_in_the_Fields
gptkb:Academy_of_Ancient_Music
gptkb:Orchestra_of_the_Age_of_Enlightenment
gptkb:Il_Giardino_Armonico
|
|
gptkbp:published_by
|
Opus 6
|
|
gptkbp:record_label
|
gptkb:Deutsche_Grammophon
gptkb:Naxos_Records
gptkb:Hyperion_Records
gptkb:Chandos_Records
|
|
gptkbp:related_works
|
gptkb:Concerto_Grosso_No._2
|
|
gptkbp:style
|
gptkb:Baroque
|
|
gptkbp:year_composed
|
1680
|