|
gptkbp:instance_of
|
gptkb:musical_composition
|
|
gptkbp:artistic_influence
|
jazz compositions
|
|
gptkbp:associated_with
|
gptkb:Royal_Academy_of_Music
|
|
gptkbp:characteristic
|
contrapuntal texture
|
|
gptkbp:characteristics
|
gptkb:orchestral_music
|
|
gptkbp:competitors
|
music competitions
|
|
gptkbp:composer
|
gptkb:George_Frideric_Handel
|
|
gptkbp:cultural_impact
|
gptkb:cultural_heritage
gptkb:artistic_collaboration
artistic expression
musical innovation
|
|
gptkbp:cultural_significance
|
influence on later composers
development of orchestral music
important in Baroque repertoire
|
|
gptkbp:dedicated_to
|
gptkb:the_Duke_of_Chandos
|
|
gptkbp:design_date
|
Baroque period
|
|
gptkbp:educational_use
|
gptkb:music_education
|
|
gptkbp:famous_event
|
music festivals
|
|
gptkbp:film_technique
|
film scores
|
|
gptkbp:first_performance
|
1739
|
|
gptkbp:form
|
gptkb:Concerto_for_Orchestra
|
|
gptkbp:genre
|
Baroque music
concerto grosso
solo concerto
|
|
gptkbp:historical_context
|
written during Handel's London period
|
|
gptkbp:historical_period
|
gptkb:18th_century
17th century
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
Concerti Grossi
|
|
gptkbp:influence
|
gptkb:symphony
|
|
gptkbp:influence_on_pop_music
|
pop arrangements
|
|
gptkbp:influenced
|
later composers
symphonic repertoire
|
|
gptkbp:influenced_by
|
gptkb:Corelli
gptkb:Vivaldi
Italian concerto style
|
|
gptkbp:instruments
|
strings
continuo
|
|
gptkbp:is_often_used_in
|
gptkb:festivals
concert halls
|
|
gptkbp:key_feature
|
contrast between solo and ensemble
|
|
gptkbp:music_composer
|
gptkb:Arcangelo_Corelli
gptkb:Antonio_Vivaldi
gptkb:Georg_Friedrich_Handel
|
|
gptkbp:notable_collection
|
orchestras
chamber orchestras
|
|
gptkbp:notable_features
|
dynamic contrasts
expressive melodies
use of ritornello form
dialogue between soloists and orchestra
|
|
gptkbp:notable_influence
|
gptkb:Allegro
gptkb:Largo
Fuga
Preludio
|
|
gptkbp:notable_performances
|
historical performances
modern performances
|
|
gptkbp:notable_recordings
|
by the Academy of St Martin in the Fields
by the Amsterdam Baroque Orchestra
by the Berlin Philharmonic
by the London Symphony Orchestra
by the Scottish Chamber Orchestra
by the Vienna Philharmonic
by the Academy of Ancient Music
by the English Concert
by the Freiburg Baroque Orchestra
by the Orpheus Chamber Orchestra
by the Rotterdam Philharmonic Orchestra
|
|
gptkbp:notable_work
|
Op. 3
|
|
gptkbp:notable_works
|
gptkb:Corelli's_Concerti_Grossi,_Op._6
gptkb:Handel's_Concerti_Grossi,_Op._3
gptkb:Vivaldi's_Concerti_Grossi
|
|
gptkbp:origin
|
gptkb:Italy
|
|
gptkbp:part_of
|
gptkb:Handel's_orchestral_works
|
|
gptkbp:performance
|
baroque performance style
|
|
gptkbp:performance_style
|
gptkb:concerts
|
|
gptkbp:performed_by
|
gptkb:orchestra
|
|
gptkbp:performed_in
|
gptkb:church
theaters
|
|
gptkbp:performers
|
gptkb:12
|
|
gptkbp:published_in
|
1739
|
|
gptkbp:recorded_by
|
various artists
|
|
gptkbp:recordings
|
numerous modern recordings
|
|
gptkbp:related_concept
|
gptkb:orchestra
concertino
ripieno
baroque concerto
|
|
gptkbp:scholarly_analysis
|
gptkb:historical_analysis
musicology studies
performance practice studies
|
|
gptkbp:structure
|
fast-slow-fast
|
|
gptkbp:bfsParent
|
gptkb:Arcangelo_Corelli
|
|
gptkbp:bfsLayer
|
5
|