|
gptkbp:instanceOf
|
art movement
|
|
gptkbp:beganIn
|
1960s
|
|
gptkbp:characteristic
|
use of language
institutional critique
questioning of authorship
dematerialization of the art object
documentation as art
emphasis on ideas over aesthetic
|
|
gptkbp:countryOfOrigin
|
gptkb:United_Kingdom
gptkb:United_States
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
Conceptual Art movement
|
|
gptkbp:influenced
|
Contemporary art
performing arts
Installation art
Post-conceptual art
|
|
gptkbp:influencedBy
|
gptkb:Dada
gptkb:Marcel_Duchamp
gptkb:Minimalism
gptkb:Modernism
gptkb:Fluxus
|
|
gptkbp:mediaType
|
gptkb:text
gptkb:performance
manual
photography
installation art
|
|
gptkbp:notableArtist
|
gptkb:Lawrence_Weiner
gptkb:On_Kawara
gptkb:Hanne_Darboven
gptkb:Yoko_Ono
gptkb:Hans_Haacke
gptkb:John_Baldessari
gptkb:Mel_Bochner
gptkb:Sol_LeWitt
gptkb:Joseph_Kosuth
gptkb:Robert_Barry
gptkb:Adrian_Piper
gptkb:Art_&_Language
gptkb:Dan_Graham
gptkb:Douglas_Huebler
Jenny Holzer
Victor Burgin
|
|
gptkbp:notableExhibit
|
gptkb:Information_(1970,_MoMA)
gptkb:When_Attitudes_Become_Form_(1969)
|
|
gptkbp:notableWork
|
gptkb:I_Will_Not_Make_Any_More_Boring_Art
gptkb:Wall_Drawing_series
gptkb:One_and_Three_Chairs
The Artist is Present
|
|
gptkbp:peakPeriod
|
1970s
late 1960s
|
|
gptkbp:relatedTo
|
gptkb:Minimalism
gptkb:Fluxus
Postmodernism
performing arts
Land art
|
|
gptkbp:bfsParent
|
gptkb:Marcel_Duchamp_retrospective_(1963)
|
|
gptkbp:bfsLayer
|
7
|