|
gptkbp:instance_of
|
gptkb:art_movement
|
|
gptkbp:associated_with
|
American art
abstract expressionism
Non-objective art
Post-war art
|
|
gptkbp:characterized_by
|
large areas of color
|
|
gptkbp:criticism
|
seen as lacking emotional depth
considered too simplistic
|
|
gptkbp:developed_by
|
1950s
|
|
gptkbp:emphasizes
|
color over form
|
|
gptkbp:exemplified_by
|
gptkb:Louis’s_Veil_series
gptkb:Noland’s_target_paintings
gptkb:Rothko_Chapel
Newman’s zip paintings
Frankenthaler’s soak-stain technique
|
|
gptkbp:exhibited_at
|
gptkb:New_York_City
gptkb:The_Whitney_Museum_of_American_Art
gptkb:The_Guggenheim_Museum
gptkb:The_Museum_of_Modern_Art
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
Color Field painters
|
|
gptkbp:impact
|
gptkb:contemporary_art
|
|
gptkbp:influenced
|
gptkb:Color_Field_sculpture
gptkb:Post-painterly_abstraction
Contemporary color theory
|
|
gptkbp:influenced_by
|
gptkb:European_modernism
|
|
gptkbp:legacy
|
Influence on modern design
Influence on public art
Influence on color theory
Influence on installation art
|
|
gptkbp:notable_artists
|
gptkb:Barnett_Newman
gptkb:Helen_Frankenthaler
gptkb:Mark_Rothko
gptkb:Morris_Louis
gptkb:Kenneth_Noland
gptkb:Clyfford_Still
|
|
gptkbp:notable_exhibitions
|
gptkb:The_1964_Venice_Biennale
gptkb:The_1970s_Whitney_Biennial
gptkb:The_1980s_Documenta
The 1990s Biennale di Venezia
The 2000s Art Basel
|
|
gptkbp:related_to
|
gptkb:Minimalism
|
|
gptkbp:technique
|
staining
layering color
pouring paint
|
|
gptkbp:bfsParent
|
gptkb:Mark_Rothko
|
|
gptkbp:bfsLayer
|
4
|