Statements (155)
| Predicate | Object |
|---|---|
| gptkbp:instance_of |
gptkb:art_movement
|
| gptkbp:associated_with |
gptkb:Color_Field_sculpture
gptkb:Lyrical_abstraction gptkb:Lyrical_Abstraction gptkb:Post-painterly_abstraction Geometric abstraction abstract expressionism Hard-edge painting |
| gptkbp:characterized_by |
emphasis on color
large fields of color minimalist compositions large areas of color minimalist forms |
| gptkbp:criticism |
gptkb:Harold_Rosenberg
gptkb:Clement_Greenberg seen as overly simplistic seen as lacking depth seen as derivative seen as anti-figurative considered too simplistic accused of lacking emotional depth seen as lacking form accused of being overly simplistic debated for emotional depth lacked emotional depth seen as decorative |
| gptkbp:cultural_impact |
influenced interior design
inspired fashion trends influenced graphic design influenced design and architecture influenced architecture influenced fashion design affected advertising aesthetics influenced digital art practices shaped public art installations |
| gptkbp:declined_in |
1970s
|
| gptkbp:developed_by |
1950s
|
| gptkbp:exemplified_by |
gptkb:Rothko_Chapel
Newman’s zip paintings Frankenthaler’s soak-stain technique |
| gptkbp:exhibited_at |
gptkb:Whitney_Museum_of_American_Art
gptkb:Guggenheim_Museum gptkb:New_York_City gptkb:Museum_of_Modern_Art major art galleries major art museums |
| gptkbp:exhibition |
gptkb:The_1964_Venice_Biennale
gptkb:The_New_American_Painting gptkb:The_Responsive_Eye |
| gptkbp:exhibitions |
gptkb:The_New_York_School
gptkb:The_American_Scene The Color Field Show |
| https://www.w3.org/2000/01/rdf-schema#label |
Color Field movement
|
| gptkbp:impact |
gptkb:contemporary_art
|
| gptkbp:influenced |
gptkb:Color_Field_sculpture
gptkb:contemporary_art gptkb:art_critics gptkb:Post-painterly_abstraction art education |
| gptkbp:influenced_by |
gptkb:European_modernism
gptkb:fauvism American regionalism |
| gptkbp:inspired |
gptkb:Minimalism
gptkb:Post-painterly_abstraction |
| gptkbp:inspired_by |
gptkb:philosophy
gptkb:spirituality nature |
| gptkbp:key_concept |
gptkb:artistic_legacy
gptkb:artistic_collaboration emotional response aesthetic experience artistic expression abstract forms viewer experience visual perception artistic dialogue artistic freedom artistic innovation cultural commentary spatial relationships artistic exploration non-representational art artistic identity color as subject |
| gptkbp:legacy |
influenced contemporary art
influenced installation art influence on installation art continues to inspire artists remains a subject of academic study influence on minimalism impact on installation art influence on color theory influenced color theory influence on contemporary painting contributes to art market trends influences art education programs shapes public art installations inspired color theory discussions contributed to the rise of installation art |
| gptkbp:notable_artists |
gptkb:Barnett_Newman
gptkb:Helen_Frankenthaler gptkb:Mark_Rothko gptkb:Morris_Louis gptkb:Kenneth_Noland |
| gptkbp:notable_exhibitions |
gptkb:The_1964_Venice_Biennale
gptkb:The_New_American_Painting gptkb:The_New_York_School gptkb:The_American_Scene gptkb:The_Responsive_Eye The American Painting Today Color Field Painting: 1950-1970 The Art of the Color Field Color Field: A Survey of the Movement Color Field: The American Experience Color Field: The American Scene Color Field: The Influence of Color Color Field: The Legacy of Abstract Expressionism Color Field: The New York School The Color Field Movement: A Retrospective The Color Field Show The Color Field: A New Perspective |
| gptkbp:notable_locations |
gptkb:Whitney_Museum_of_American_Art
gptkb:Tate_Modern gptkb:Guggenheim_Museum gptkb:Museum_of_Modern_Art gptkb:National_Gallery_of_Art |
| gptkbp:notable_technique |
drip painting
layering of paint stretched canvas use of color theory soak-stain technique |
| gptkbp:notable_works |
No. 61 (Rust and Blue) by Mark Rothko
Mountains and Sea by Helen Frankenthaler Vir Heroicus Sublimis by Barnett Newman |
| gptkbp:originated_in |
gptkb:United_States
|
| gptkbp:premiered_on |
1950s
|
| gptkbp:related_to |
gptkb:Color_Field_painting
gptkb:Post-painterly_abstraction gptkb:post-painterly_abstraction minimalism |
| gptkbp:style |
gptkb:Lyrical_abstraction
Geometric abstraction Hard-edge painting |
| gptkbp:technique |
staining
layering layering paint pouring color layering staining canvas use of acrylic paint emphasis on surface texture |
| gptkbp:bfsParent |
gptkb:Washington_Color_School
gptkb:Morris_Louis gptkb:Color_Field_series |
| gptkbp:bfsLayer |
5
|