|
gptkbp:instance_of
|
gptkb:play
|
|
gptkbp:adaptation
|
gptkb:film
|
|
gptkbp:adapted_into
|
gptkb:Paddy_Chayefsky
gptkb:film
|
|
gptkbp:character_arc
|
gptkb:loss
hope
redemption
despair
|
|
gptkbp:character_development
|
complex characters
|
|
gptkbp:conflict
|
personal struggles
|
|
gptkbp:critical_reception
|
mixed reviews
|
|
gptkbp:cultural_impact
|
reflected societal issues
|
|
gptkbp:duration
|
approximately 90 minutes
|
|
gptkbp:film_technique
|
The Last Call
|
|
gptkbp:first_performance
|
gptkb:The_Actors_Studio
|
|
gptkbp:follows
|
characters in a bar
|
|
gptkbp:genre
|
gptkb:drama
|
|
gptkbp:influenced
|
later playwrights
|
|
gptkbp:influenced_by
|
gptkb:existentialism
American realism
|
|
gptkbp:inspired_by
|
real-life events
|
|
gptkbp:language
|
English
|
|
gptkbp:notable_character
|
gptkb:Evelyn
gptkb:Ruth
gptkb:Harry
gptkb:Marty
|
|
gptkbp:notable_production
|
1960 Off-Broadway revival
|
|
gptkbp:notable_themes
|
gptkb:identity
gptkb:community
conflict resolution
loneliness
personal growth
relationships
social commentary
mortality
redemption
self-discovery
forgiveness
catharsis
human experience
regret
existential crisis
human condition
emotional struggle
|
|
gptkbp:performed_at
|
gptkb:Broadway
|
|
gptkbp:premiered_on
|
gptkb:1958
|
|
gptkbp:published_by
|
gptkb:Random_House
|
|
gptkbp:set_in
|
gptkb:New_York_City
|
|
gptkbp:setting
|
a bar
|
|
gptkbp:style
|
naturalistic dialogue
|
|
gptkbp:themes
|
isolation
human connection
|
|
gptkbp:written_by
|
gptkb:Paddy_Chayefsky
|
|
gptkbp:bfsParent
|
gptkb:Joseph_H._Heller
|
|
gptkbp:bfsLayer
|
6
|