Statements (395)
| Predicate | Object |
|---|---|
| gptkbp:instance_of |
gptkb:character
|
| gptkbp:affiliation |
gptkb:organized_crime
|
| gptkbp:appears_in |
gptkb:Beaches
gptkb:Mission:_Impossible gptkb:The_Birdcage gptkb:The_Firm gptkb:The_Good_Place gptkb:The_Way_We_Were gptkb:Van_Helsing gptkb:The_Hulk gptkb:Play_Misty_for_Me |
| gptkbp:associated_with |
Moral Philosophy
|
| gptkbp:audience |
well-received
|
| gptkbp:based_on |
gptkb:La_Cage_aux_Folles
|
| gptkbp:challenges |
Cultural Expectations
Societal expectations |
| gptkbp:character |
from fear to acceptance
|
| gptkbp:character_arc |
acceptance and love
|
| gptkbp:character_development |
Growth through adversity
Learning to forgive from flamboyant to protective |
| gptkbp:character_moments |
humorous and heartfelt
|
| gptkbp:character_motivation |
family loyalty
to protect his family |
| gptkbp:character_relationships |
societal norms
complex family dynamics with various characters overly dramatic with Albert and Val |
| gptkbp:character_traits |
loyal
caring supportive courageous charismatic |
| gptkbp:child |
gptkb:Anna_Valerious
Mr. and Mrs. Morosky |
| gptkbp:community_involvement |
Adversity
|
| gptkbp:conflict |
Reconciliation with Hilary
|
| gptkbp:costume_design |
drag attire
|
| gptkbp:created_by |
gptkb:Henry_James
gptkb:Michael_Schur |
| gptkbp:cultural_impact |
LGBT representation
|
| gptkbp:cultural_significance |
in 90s cinema
|
| gptkbp:depicted_in |
Passionate and idealistic
|
| gptkbp:developed_by |
gptkb:Character_arcs
|
| gptkbp:directed_by |
gptkb:Mike_Nichols
|
| gptkbp:events |
gptkb:marriage
gptkb:Divorce Motherhood Career struggles Reunion with Hilary |
| gptkbp:famous_quote |
" I am a man!"
|
| gptkbp:features_supporting_character |
gptkb:The_Hulk
|
| gptkbp:film_awards |
nominated for Academy Awards
|
| gptkbp:film_editing |
successful adaptation
|
| gptkbp:first_appearance |
gptkb:Mission:_Impossible_-Rogue_Nation
gptkb:Season_1 |
| gptkbp:fought_against |
gptkb:Dracula
|
| gptkbp:gender |
gptkb:Female
male |
| gptkbp:genre |
gptkb:comedy
|
| gptkbp:has_backstory |
Childhood in New York
raised in a conservative family |
| gptkbp:has_child |
Child of Evelyn
|
| gptkbp:has_conflict_with |
gptkb:Gilbert_Osmond
gptkb:Shawn gptkb:Human_Nature gptkb:Hilary Personal Relationships Existential Questions Moral Ambiguity Afterlife Rules Val's fiancée's parents Hubbell's family Hubbell's past |
| gptkbp:has_family |
father of Val Goldman
|
| gptkbp:has_friend |
gptkb:Albert_Goldman
gptkb:Hilary |
| gptkbp:has_goal |
Find Happiness
Help Others Achieve Goodness Explore Philosophy Understand Ethics |
| gptkbp:has_impact_on |
Philosophical Debates
Character Dynamics Dave's life Chidi's Development Eleanor's Growth Moral Discussions Cinematic portrayals of women Cultural representation of Jewish women |
| gptkbp:has_interest |
gptkb:Bruce_Banner
|
| gptkbp:has_occupation |
gptkb:Actress
gptkb:Singer |
| gptkbp:has_relationship_with |
gptkb:Dave_Garver
gptkb:Gabriel_Van_Helsing gptkb:Hilary Other Characters Hubbell Gardiner Katie Mc Govern |
| gptkbp:has_role |
gptkb:protagonist
|
| gptkbp:has_theme |
Love and sacrifice
|
| gptkbp:has_title |
gptkb:Evelyn
|
| gptkbp:historical_interpretation |
gptkb:feminism
|
| gptkbp:hobby |
gptkb:Dave_Garver
|
| https://www.w3.org/2000/01/rdf-schema#label |
Evelyn
|
| gptkbp:human_interaction |
gptkb:True
|
| gptkbp:influence_on |
drag culture
|
| gptkbp:influenced_by |
gptkb:Kant
gptkb:Aristotle gptkb:Plato gptkb:Socrates on Armand's life on audiences and culture |
| gptkbp:influences |
Mitch Mc Deere's decisions
|
| gptkbp:insignia |
The struggles of her generation
|
| gptkbp:is_a |
gptkb:activists
gptkb:protagonist gptkb:antagonist gptkb:vampires gptkb:Heroine gptkb:cultural_icon gptkb:tragic_figure iconic character love interest female character complex character key character character with depth character with a tragic arc female antagonist memorable antagonist symbol of obsession stalker character with a dark side dramatic antagonist psychologically complex character |
| gptkbp:is_a_symbol_of |
gptkb:The_American_Dream
gptkb:The_Portrait Her struggles for love |
| gptkbp:is_acclaimed_for |
Her depth and complexity
Her complexity as a character |
| gptkbp:is_affected_by |
Social Norms
Historical context of the film |
| gptkbp:is_analyzed_in |
Cultural Significance
Literary Studies Character Motivation Her role in the story |
| gptkbp:is_associated_with |
gptkb:Isabel_Archer
The 1970s Social issues of the era Barbra Streisand's career |
| gptkbp:is_challenged_by |
Societal norms
Societal Expectations Romantic Interests Romantic dilemmas |
| gptkbp:is_character_in |
The Way We Were (film)
thriller genre |
| gptkbp:is_characterized_by |
Her idealism
Strong political beliefs |
| gptkbp:is_cited_in |
Film studies
Academic Papers |
| gptkbp:is_compared_to |
Male Characters
Other Female Characters Hubbell's character |
| gptkbp:is_connected_to |
gptkb:Symbolism
gptkb:The_Judge gptkb:The_Bad_Place Political activism Literary Movements Themes of love and loss Themes of nostalgia The Philosophers Themes of Freedom The Neighborhoods The historical context of the story The Soulmates The film's emotional core The Medium Place |
| gptkbp:is_critiqued_by |
Literary Critics
|
| gptkbp:is_defined_by |
Her relationships
Her choices in life |
| gptkbp:is_described_as |
gptkb:Independent
gptkb:literary_analysis Dynamic Character Symbol of Change |
| gptkbp:is_discussed_in |
Literary Criticism
Book Clubs Film critiques Literary Forums Literary Critiques |
| gptkbp:is_examined_in |
gptkb:character_development
gptkb:Cultural_Impact Feminist Literature Narrative Techniques Thematic Studies |
| gptkbp:is_explored_in |
gptkb:Flashbacks
gptkb:dialogue Narrative Analysis Literary Criticism Critical Essays Character Arcs Character Relationships Character Studies Critical essays Thematic Analysis Narrative Perspective Character studies Narrative techniques Character development discussions Character development arcs Dialogue and interactions |
| gptkbp:is_featured_in |
gptkb:Film_adaptations
gptkb:Flashbacks gptkb:Adaptations |
| gptkbp:is_friend_of |
gptkb:Eleanor_Shellstrop
gptkb:Katie_Morosky gptkb:Jason_Mendoza gptkb:Tahani_Al-Jamil |
| gptkbp:is_in |
dramatic scenes
|
| gptkbp:is_influenced_by |
gptkb:The_Great_Depression
gptkb:Historical_events American Society Historical Context Personal Experiences Her upbringing European Culture Historical events of the time |
| gptkbp:is_influential_in |
Cinematic portrayals of women
|
| gptkbp:is_involved_in |
gptkb:Social_issues
gptkb:psychological_manipulation Political activism Romantic relationships murder plot climactic confrontation |
| gptkbp:is_known_for |
Singing
Performing on stage her dangerous behavior Her relationship with Hubbell Her strong political beliefs |
| gptkbp:is_linked_to |
Themes of Identity
Themes of Resistance Themes of Choice Themes of Autonomy Themes of Self-Discovery |
| gptkbp:is_married_to |
Hubbell Gardiner
|
| gptkbp:is_motivated_by |
Desire for Freedom
Support friends Pursue dreams Reconcile with past Her love for Hubbell |
| gptkbp:is_part_of |
gptkb:Cultural_Studies
gptkb:The_Good_Place_Ensemble gptkb:Valerious_family Cultural Narratives Literary Discussions Literary Heritage Literary Canon Cinematic history Narrative Arc Narrative Themes Cultural discussions on feminism The film's legacy Romantic drama genre Cultural commentary on the 1970s The Way We Were narrative The Way We Were's character ensemble The Way We Were's impact on society The Way We Were's legacy The Way We Were's narrative structure The Way We Were's themes The film's emotional climax |
| gptkbp:is_portrayed_as |
gptkb:Jada_Pinkett_Smith
gptkb:complex Tragic Figure manipulative Film Adaptations Various adaptations Stage Adaptations A complex character A strong female lead Various adaptations and analyses. |
| gptkbp:is_recognized_for |
Her emotional depth
Her emotional range Her influence on future characters. |
| gptkbp:is_referenced_in |
Cultural discussions
|
| gptkbp:is_reflected_in |
Cinematic history
Cultural Discourse |
| gptkbp:is_represented_in |
gptkb:merchandise
gptkb:literature Literary Figures Actresses Modern Adaptations Artistic Interpretations A strong female lead Barbra Streisand's performance |
| gptkbp:is_set_in |
gptkb:New_York_City
19th Century Europe 1940s and 1950s America |
| gptkbp:is_sought_after_by |
defeat Dracula
|
| gptkbp:is_symbolic_of |
Individualism
Women's Struggles Personal Agency The conflict between personal and political life The struggle for personal identity The struggles of the era |
| gptkbp:is_visible_from |
Various scenes
|
| gptkbp:language_spoken |
campy
|
| gptkbp:last_appearance |
gptkb:Season_4
gptkb:Mission:_Impossible_-Fallout |
| gptkbp:legacy |
iconic role in LGBT cinema
|
| gptkbp:makes_choices |
Life Decisions
|
| gptkbp:meets |
gptkb:Romantic_Relationships
|
| gptkbp:mentor |
gptkb:Chidi_Anagonye
|
| gptkbp:mood |
Val's wedding
|
| gptkbp:nationality |
gptkb:British
|
| gptkbp:notable_scene |
meeting Val's fiancée's parents
|
| gptkbp:occupation |
gptkb:philosopher
gptkb:none drag club owner |
| gptkbp:occurs_in |
gptkb:transformation
|
| gptkbp:orbital_period |
Audiences' experiences
|
| gptkbp:part_of |
gptkb:The_Portrait_of_a_Lady
|
| gptkbp:personality_trait |
Compassionate
Emotional Intelligent Curious Passionate supportive dramatic Outgoing |
| gptkbp:popularity |
cult following
|
| gptkbp:portrayed_by |
gptkb:Rebecca_Ferguson
gptkb:Jennifer_Connelly gptkb:Jessica_Walter gptkb:Barbra_Joan_Streisand gptkb:Bette_Midler gptkb:Kristen_Bell gptkb:Kate_Beckinsale gptkb:Gene_Hackman gptkb:Jeanne_Tripplehorn |
| gptkbp:portrayed_in |
breaking stereotypes
|
| gptkbp:relationship_with |
gptkb:Mitch_Mc_Deere
gptkb:Armand_Goldman gptkb:Ethan_Hunt gptkb:Chidi_Anagonye |
| gptkbp:release_year |
gptkb:1996
|
| gptkbp:resolution |
embraces his identity
|
| gptkbp:role |
gptkb:marriage
gptkb:Human double agent |
| gptkbp:screenplay_by |
gptkb:Elaine_May
|
| gptkbp:setting |
gptkb:South_Beach,_Florida
gptkb:Afterlife |
| gptkbp:significant_event |
Moral Dilemma
|
| gptkbp:symbol |
acceptance in the LGBT community
|
| gptkbp:symbolism |
gptkb:freedom_of_expression
|
| gptkbp:theme |
gptkb:Ethics
|
| gptkbp:themes |
gptkb:acceptance
|
| gptkbp:user_experience |
gptkb:tragedy
Personal Growth Personal struggles Personal sacrifices for love |
| gptkbp:uses |
gptkb:weapons
|
| gptkbp:was_affecting |
Cultural perceptions of love
The audience's perception |
| gptkbp:bfsParent |
gptkb:Tom_Powers
gptkb:Antwone_Fisher gptkb:Diane_Lane gptkb:The_Nutty_Professor gptkb:The_Voice_of_the_Turtle gptkb:Cafe_Society gptkb:The_Temple_of_My_Familiar gptkb:Angel gptkb:Woman_in_Love gptkb:Joyful_Noise gptkb:Catherine_O'_Hara gptkb:Family_Ties gptkb:The_Last_Time_I_Saw_Paris gptkb:The_Dressmaker gptkb:The_Hurt_Locker gptkb:The_Autumn_Garden gptkb:24 gptkb:The_First_Wives_Club gptkb:The_Shape_of_Things gptkb:Aes_Sedai gptkb:I_Cover_the_Waterfront gptkb:Mia gptkb:militant_group gptkb:The_Fighting_Temptations gptkb:Victorious gptkb:Closing_the_Ring gptkb:The_Last_Days_of_the_American_Republic gptkb:Twins |
| gptkbp:bfsLayer |
4
|