Statements (378)
| Predicate | Object |
|---|---|
| gptkbp:instance_of |
gptkb:character
|
| gptkbp:bfsLayer |
3
|
| gptkbp:bfsParent |
gptkb:Ellen_Burstyn
gptkb:Catherine_O'_Hara gptkb:Regina_King gptkb:24 gptkb:Peaky_Blinders gptkb:Stardew_Valley gptkb:mythological_figure gptkb:shopping_mall gptkb:musical_group gptkb:currency gptkb:organization |
| gptkbp:affiliation |
gptkb:Police_Department
|
| gptkbp:appears_in |
gptkb:Beaches
gptkb:Mission:_Impossible gptkb:The_Birdcage gptkb:The_Firm gptkb:The_Good_Place gptkb:The_Way_We_Were gptkb:Van_Helsing gptkb:The_Hulk gptkb:Play_Misty_for_Me |
| gptkbp:associated_with |
Moral Philosophy
|
| gptkbp:audience |
well-received
|
| gptkbp:awards |
nominated for Academy Awards
|
| gptkbp:based_on |
gptkb:La_Cage_aux_Folles
|
| gptkbp:challenges |
Cultural Expectations
Societal expectations |
| gptkbp:character |
humorous and heartfelt
from fear to acceptance |
| gptkbp:character_appearance |
drag attire
|
| gptkbp:character_arc |
acceptance and love
|
| gptkbp:character_development |
Growth through adversity
Learning to forgive from flamboyant to protective |
| gptkbp:character_relationships |
societal norms
complex family dynamics with various characters overly dramatic with Albert and Val |
| gptkbp:character_traits |
loyal
caring supportive courageous charismatic |
| gptkbp:child |
gptkb:Anna_Valerious
Mr. and Mrs. Morosky |
| gptkbp:community_involvement |
Adversity
|
| gptkbp:conflict |
Reconciliation with Hilary
|
| gptkbp:created_by |
gptkb:Henry_James
gptkb:Michael_Schur |
| gptkbp:cultural_impact |
LGBT representation
|
| gptkbp:cultural_significance |
in 90s cinema
|
| gptkbp:decided_by |
Life Decisions
|
| gptkbp:defines |
Her relationships
Her choices in life |
| gptkbp:depicted_in |
Various scenes
Passionate and idealistic |
| gptkbp:developed_by |
gptkb:Character_arcs
|
| gptkbp:directed_by |
gptkb:Mike_Nichols
|
| gptkbp:events |
gptkb:award
gptkb:Divorce Motherhood Career struggles Reunion with Hilary |
| gptkbp:examines |
gptkb:book
gptkb:Cultural_Impact Feminist Literature Narrative Techniques Thematic Studies |
| gptkbp:family |
father of Val Goldman
|
| gptkbp:famous_quote |
" I am a man!"
|
| gptkbp:features_character |
gptkb:The_Hulk
|
| gptkbp:filmography |
successful adaptation
|
| gptkbp:first_appearance |
gptkb:Mission:_Impossible_-Rogue_Nation
gptkb:Season_1 |
| gptkbp:fought_in |
gptkb:Dracula
|
| gptkbp:gender |
gptkb:philosopher
male |
| gptkbp:genre |
gptkb:musical
|
| gptkbp:has_backstory |
Childhood in New York
raised in a conservative family |
| gptkbp:has_child |
Child of Evelyn
|
| gptkbp:has_conflict_with |
gptkb:Gilbert_Osmond
gptkb:Shawn gptkb:Human_Nature gptkb:Hilary Personal Relationships Existential Questions Moral Ambiguity Afterlife Rules Val's fiancée's parents Hubbell's family Hubbell's past |
| gptkbp:has_friend |
gptkb:Albert_Goldman
gptkb:Hilary |
| gptkbp:has_goal |
Find Happiness
Help Others Achieve Goodness Explore Philosophy Understand Ethics |
| gptkbp:has_impact_on |
Philosophical Debates
Character Dynamics Dave's life Chidi's Development Eleanor's Growth Moral Discussions Cinematic portrayals of women Cultural representation of Jewish women |
| gptkbp:has_occupation |
gptkb:singer
gptkb:Actor |
| gptkbp:has_role |
gptkb:fictional_character
|
| gptkbp:has_theme |
Love and sacrifice
|
| gptkbp:has_title |
gptkb:Evelyn
|
| gptkbp:historical_context |
gptkb:philosopher
|
| gptkbp:hobbies |
gptkb:Dave_Garver
|
| https://www.w3.org/2000/01/rdf-schema#label |
Evelyn
|
| gptkbp:influence |
drag culture
|
| gptkbp:influenced_by |
gptkb:Kant
gptkb:Aristotle gptkb:Plato gptkb:Socrates on Armand's life on audiences and culture |
| gptkbp:influences |
Mitch Mc Deere's decisions
|
| gptkbp:insignia |
The struggles of her generation
|
| gptkbp:interacts_with |
gptkb:theorem
|
| gptkbp:is_a |
gptkb:philosopher
gptkb:political_movement gptkb:fictional_character gptkb:earthquake gptkb:fish gptkb:superhero gptkb:legal_case iconic character love interest female character complex character key character character with depth character with a tragic arc female antagonist memorable antagonist symbol of obsession stalker character with a dark side dramatic antagonist psychologically complex character |
| gptkbp:is_affected_by |
Social Norms
Historical context of the film |
| gptkbp:is_analyzed_in |
Cultural Significance
Literary Studies Character Motivation Her role in the story |
| gptkbp:is_associated_with |
gptkb:Isabel_Archer
The 1970s Social issues of the era Barbra Streisand's career |
| gptkbp:is_challenged_by |
Societal norms
Societal Expectations Romantic Interests Romantic dilemmas |
| gptkbp:is_character_in |
The Way We Were (film)
thriller genre |
| gptkbp:is_characterized_by |
Her idealism
Strong political beliefs |
| gptkbp:is_cited_in |
Film studies
Academic Papers |
| gptkbp:is_compared_to |
Male Characters
Other Female Characters Hubbell's character |
| gptkbp:is_connected_to |
gptkb:Symbolism
gptkb:The_Judge gptkb:The_Bad_Place Political activism Literary Movements Themes of love and loss Themes of nostalgia The Philosophers Themes of Freedom The Neighborhoods The historical context of the story The Soulmates The film's emotional core The Medium Place |
| gptkbp:is_criticized_for |
Literary Critics
|
| gptkbp:is_described_as |
gptkb:Independent
gptkb:literary_work Dynamic Character Symbol of Change |
| gptkbp:is_discussed_in |
Literary Criticism
Book Clubs Film critiques Literary Forums Literary Critiques |
| gptkbp:is_evaluated_by |
Her depth and complexity
Her complexity as a character |
| gptkbp:is_explored_in |
gptkb:Flashbacks
gptkb:language Narrative Analysis Literary Criticism Critical Essays Character Arcs Character Relationships Character Studies Critical essays Thematic Analysis Narrative Perspective Character studies Narrative techniques Character development discussions Character development arcs Dialogue and interactions |
| gptkbp:is_featured_in |
gptkb:Film_adaptations
gptkb:Flashbacks gptkb:Adaptations |
| gptkbp:is_friend_of |
gptkb:Eleanor_Shellstrop
gptkb:Katie_Morosky gptkb:Jason_Mendoza gptkb:Tahani_Al-Jamil |
| gptkbp:is_influenced_by |
gptkb:The_Great_Depression
gptkb:Historical_events American Society Historical Context Personal Experiences Her upbringing European Culture Historical events of the time |
| gptkbp:is_influential_in |
Cinematic portrayals of women
|
| gptkbp:is_involved_in |
gptkb:physicist
gptkb:Social_issues Political activism Romantic relationships murder plot climactic confrontation |
| gptkbp:is_known_for |
Singing
Performing on stage her dangerous behavior Her relationship with Hubbell Her strong political beliefs |
| gptkbp:is_linked_to |
Themes of Identity
Themes of Resistance Themes of Choice Themes of Autonomy Themes of Self-Discovery |
| gptkbp:is_motivated_by |
Desire for Freedom
family loyalty to protect his family Support friends Pursue dreams Reconcile with past Her love for Hubbell |
| gptkbp:is_part_of |
gptkb:The_Good_Place_Ensemble
gptkb:organization gptkb:Valerious_family Cultural Narratives Literary Discussions Literary Heritage Literary Canon Cinematic history Narrative Arc Narrative Themes Cultural discussions on feminism The film's legacy Romantic drama genre Cultural commentary on the 1970s The Way We Were narrative The Way We Were's character ensemble The Way We Were's impact on society The Way We Were's legacy The Way We Were's narrative structure The Way We Were's themes The film's emotional climax |
| gptkbp:is_popular_in |
cult following
|
| gptkbp:is_recognized_for |
Her emotional depth
Her emotional range Her influence on future characters. |
| gptkbp:is_referenced_in |
Cultural discussions
|
| gptkbp:is_reflected_in |
Cinematic history
Cultural Discourse |
| gptkbp:is_represented_in |
gptkb:literary_work
gptkb:item Literary Figures Actresses Modern Adaptations Artistic Interpretations A strong female lead Barbra Streisand's performance |
| gptkbp:is_sought_after_by |
defeat Dracula
|
| gptkbp:is_symbolic_of |
Individualism
Women's Struggles Personal Agency The conflict between personal and political life The struggle for personal identity The struggles of the era |
| gptkbp:language |
campy
|
| gptkbp:last_appearance |
gptkb:Season_4
gptkb:Mission:_Impossible_-Fallout |
| gptkbp:legacy |
iconic role in LGBT cinema
|
| gptkbp:meets |
gptkb:Romantic_Relationships
|
| gptkbp:mentor |
gptkb:Chidi_Anagonye
|
| gptkbp:mood |
Val's wedding
|
| gptkbp:nationality |
gptkb:British
|
| gptkbp:notable_appearance |
meeting Val's fiancée's parents
|
| gptkbp:occupation |
gptkb:philosopher
gptkb:none drag club owner |
| gptkbp:occurs_in |
gptkb:Transformation
|
| gptkbp:orbital_period |
Audiences' experiences
|
| gptkbp:part_of |
gptkb:The_Portrait_of_a_Lady
|
| gptkbp:personality_trait |
Compassionate
Emotional Intelligent Curious Passionate supportive dramatic Outgoing |
| gptkbp:portrayed_by |
gptkb:Rebecca_Ferguson
gptkb:Jennifer_Connelly gptkb:Jessica_Walter gptkb:Bette_Midler gptkb:Jada_Pinkett_Smith gptkb:Barbra_Streisand gptkb:Kristen_Bell gptkb:Kate_Beckinsale gptkb:Gene_Hackman gptkb:Jeanne_Tripplehorn gptkb:launch_complex Tragic Figure manipulative Film Adaptations Various adaptations Stage Adaptations A complex character A strong female lead breaking stereotypes Various adaptations and analyses. |
| gptkbp:relationship |
gptkb:Dave_Garver
gptkb:Mitch_Mc_Deere gptkb:Armand_Goldman gptkb:Gabriel_Van_Helsing gptkb:Ethan_Hunt gptkb:Chidi_Anagonye gptkb:Hilary Other Characters Hubbell Gardiner Katie Mc Govern |
| gptkbp:release_year |
gptkb:1996
|
| gptkbp:research_interest |
gptkb:Bruce_Banner
|
| gptkbp:resolution |
embraces his identity
|
| gptkbp:role |
gptkb:award
gptkb:Person double agent |
| gptkbp:screenplay_by |
gptkb:Elaine_May
|
| gptkbp:set_in |
gptkb:Borough
19th Century Europe dramatic scenes 1940s and 1950s America |
| gptkbp:setting |
gptkb:South_Beach,_Florida
gptkb:Afterlife |
| gptkbp:significant_event |
Moral Dilemma
|
| gptkbp:spouse |
Hubbell Gardiner
|
| gptkbp:symbol |
gptkb:The_American_Dream
gptkb:The_Portrait acceptance in the LGBT community Her struggles for love |
| gptkbp:symbolism |
gptkb:freedom_of_expression
|
| gptkbp:theme |
gptkb:legislation
|
| gptkbp:themes |
gptkb:acceptance
|
| gptkbp:user_experience |
gptkb:earthquake
Personal Growth Personal struggles Personal sacrifices for love |
| gptkbp:uses |
gptkb:weapon
|
| gptkbp:was_affecting |
Cultural perceptions of love
The audience's perception |