|
gptkbp:instance_of
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gptkb:film
|
|
gptkbp:associated_with
|
social issues
political commentary
ethnographic film
|
|
gptkbp:characteristic
|
documentary style
|
|
gptkbp:criticism
|
subjectivity
ethical concerns
manipulation of reality
|
|
gptkbp:developed_by
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gptkb:Jean_Rouch
|
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gptkbp:focus
|
realism
|
|
gptkbp:goal
|
capture reality
|
|
gptkbp:historical_context
|
gptkb:post-war_France
1960s
social change
political upheaval
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
Cinema verité
|
|
gptkbp:influenced
|
reality television
modern documentary filmmaking
|
|
gptkbp:influenced_by
|
gptkb:Italian_neorealism
|
|
gptkbp:legacy
|
influenced filmmakers worldwide
inspired new genres
encouraged audience engagement
established documentary conventions
promoted authenticity in film
|
|
gptkbp:notable_authors
|
gptkb:Jonas_Mekas
gptkb:Albert_Maysles
gptkb:Richard_Leacock
gptkb:D._A._Pennebaker
gptkb:Agnes_Varda
|
|
gptkbp:notable_film
|
gptkb:The_Last_Bolshevik
gptkb:Chronicle_of_a_Summer
gptkb:The_Gleaners_and_I
gptkb:The_War_Room
Les Raquetteurs
|
|
gptkbp:origin
|
gptkb:France
|
|
gptkbp:related_concept
|
participatory documentary
reflexive documentary
cinema of engagement
|
|
gptkbp:technique
|
gptkb:interviews
handheld camera
direct cinema
natural sound
observational filmmaking
|
|
gptkbp:bfsParent
|
gptkb:Jean_Rouch
|
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gptkbp:bfsLayer
|
6
|