Statements (99)
Predicate | Object |
---|---|
gptkbp:instance_of |
gptkb:musical_composition
gptkb:Concerto_for_Orchestra |
gptkbp:arrangements |
for various ensembles
arranged for different ensembles |
gptkbp:audience |
emotional and powerful performances
|
gptkbp:character |
introspective and melancholic
|
gptkbp:characteristics |
thematic transformation
dramatic contrasts lyrical passages virtuosic sections |
gptkbp:composer |
gptkb:Antonín_Dvořák
gptkb:Edward_Elgar |
gptkbp:critical_reception |
generally positive
highly acclaimed |
gptkbp:cultural_impact |
widely performed
widely performed in concert halls |
gptkbp:cultural_references |
featured in films and documentaries
|
gptkbp:cultural_significance |
Czech music heritage
|
gptkbp:dedication |
gptkb:Joseph_Suk
to the memory of the composer's friend |
gptkbp:duration |
approximately 30 minutes
approximately 25 minutes |
gptkbp:dvořák's_influence |
on later composers
|
gptkbp:dvořák's_intention |
express deep emotion
|
gptkbp:dvořák's_legacy |
important contribution to cello literature
|
gptkbp:dvořák's_style |
synthesis of folk and classical elements
|
gptkbp:educational_use |
commonly studied in music programs
|
gptkbp:featured_in |
concert programs
|
gptkbp:first_edition |
various editions available
|
gptkbp:first_performance |
gptkb:London
gptkb:Queen's_Hall,_London |
gptkbp:form |
sonata form
three-part structure |
gptkbp:historical_context |
written in post-war England
composed during Dvořák's time in America |
https://www.w3.org/2000/01/rdf-schema#label |
Cello Concerto in B minor
|
gptkbp:influence |
gptkb:World_War_I
Romantic music |
gptkbp:influenced |
cello pedagogy
future cello compositions |
gptkbp:influenced_artists |
influenced contemporary classical music
inspired later cello works |
gptkbp:influenced_by |
gptkb:German_Romantic_composers
Slavic folk music |
gptkbp:inspiration |
personal loss and reflection
Dvořák's love for nature |
gptkbp:instrumentation |
cello and orchestra
|
gptkbp:is_popular_among |
audiences
|
gptkbp:key |
B minor
|
gptkbp:legacy |
remains a staple of the cello repertoire
|
gptkbp:movement |
four
three reflective and subdued |
gptkbp:music_style |
rich harmonic language
frequently studied in musicology traditional concerto form with modern elements |
gptkbp:musical_elements |
dynamic contrasts
rich harmonies melodic development orchestral color |
gptkbp:notable_collaborations |
collaborated with prominent musicians
|
gptkbp:notable_conductors |
gptkb:André_Previn
gptkb:Daniel_Barenboim gptkb:Edward_Elgar gptkb:Sir_Edward_Elgar gptkb:Sir_Simon_Rattle |
gptkbp:notable_performers |
gptkb:Yo-Yo_Ma
gptkb:Mischa_Maisky gptkb:Steven_Isserlis gptkb:Jacqueline_du_Pré |
gptkbp:notable_recordings |
recorded by major orchestras
by major record labels |
gptkbp:orchestration |
strings, woodwinds, brass, percussion
solo cello and orchestra |
gptkbp:performance |
technically demanding for the soloist
performed worldwide since its premiere. |
gptkbp:performance_tradition |
often performed in competitions
standard repertoire for cellists |
gptkbp:performed_at |
major music festivals
|
gptkbp:performed_by |
orchestras worldwide
|
gptkbp:premiere |
gptkb:1896
|
gptkbp:premiere_date |
October 27, 1919
|
gptkbp:recordings |
1930s
numerous multiple acclaimed recordings exist |
gptkbp:second_movement |
gptkb:Allegro
gptkb:Allegro_moderato gptkb:Adagio |
gptkbp:signature |
for cello repertoire
|
gptkbp:significance |
one of the most important cello concertos
|
gptkbp:style |
Late Romantic
late Romantic |
gptkbp:theme |
lyrical and expressive melodies
|
gptkbp:themes |
lyrical and expressive
explores themes of loss and nostalgia |
gptkbp:year_composed |
1894
1919 |
gptkbp:bfsParent |
gptkb:Dvořák
|
gptkbp:bfsLayer |
4
|