Statements (58)
| Predicate | Object |
|---|---|
| gptkbp:instance_of |
gptkb:character
|
| gptkbp:bfsLayer |
5
|
| gptkbp:bfsParent |
gptkb:The_Tragedies_of_Sheridan
|
| gptkbp:adaptation |
film and television
|
| gptkbp:appears_in |
gptkb:The_Rivals
|
| gptkbp:associated_with |
gptkb:musical
|
| gptkbp:audience |
well-received by audiences
|
| gptkbp:character_arc |
growth from deception to honesty
|
| gptkbp:character_development |
from a soldier to a lover
|
| gptkbp:character_relationships |
initial dishonesty
|
| gptkbp:character_traits |
brave and romantic
|
| gptkbp:conflict |
romantic conflict
between love and duty through clever dialogue through wit and charm |
| gptkbp:created_by |
gptkb:Richard_Brinsley_Sheridan
|
| gptkbp:cultural_impact |
influence on British theatre
|
| gptkbp:cultural_representation |
of military officers in literature
|
| gptkbp:depicted_in |
various stage productions
|
| gptkbp:famous_quote |
" I am a man of honour."
|
| gptkbp:first_appearance |
1775
|
| gptkbp:friend |
gptkb:Jack_Absolute
|
| gptkbp:gender |
male
|
| gptkbp:has_conflict_with |
gptkb:Mrs._Malaprop
|
| gptkbp:historical_context |
reflects societal norms of the time
|
| https://www.w3.org/2000/01/rdf-schema#label |
Captain Absolute
|
| gptkbp:influence |
subsequent romantic comedies
in later comedic characters |
| gptkbp:inspiration |
future romantic leads
|
| gptkbp:is_characterized_by |
multi-dimensional and relatable
|
| gptkbp:is_motivated_by |
love for Lydia Languish
to win Lydia's affection |
| gptkbp:legacy |
enduring character in theatre history
|
| gptkbp:motif |
deception in love
|
| gptkbp:music_style |
driving the plot forward
his true identity is hidden from others |
| gptkbp:narrative_style |
gptkb:fictional_character
|
| gptkbp:notable_traits |
deceptive
|
| gptkbp:occupation |
officer
|
| gptkbp:parent |
gptkb:Sir_Anthony_Absolute
|
| gptkbp:personality_trait |
charismatic
|
| gptkbp:portrayed_by |
various actors in adaptations
often comedic |
| gptkbp:purpose |
to create tension and humor
|
| gptkbp:relationship |
gptkb:Sir_Anthony_Absolute
complex and evolving with Lydia Languish |
| gptkbp:resolution |
achieves love and acceptance
|
| gptkbp:rival |
Faulkland
|
| gptkbp:role |
central to the plot's development
|
| gptkbp:setting |
18th century England
|
| gptkbp:significance |
important figure in 18th-century literature
|
| gptkbp:spouse |
gptkb:Lydia_Languish
|
| gptkbp:symbolism |
represents youthful folly
|
| gptkbp:symbolizes |
the duality of human nature
|
| gptkbp:thematic_element |
class and social status
|
| gptkbp:theme |
identity and disguise
|
| gptkbp:type |
comedic character
|