Statements (95)
| Predicate | Object |
|---|---|
| gptkbp:instance_of |
gptkb:character
|
| gptkbp:appears_in |
gptkb:The_Rivals
|
| gptkbp:created_by |
gptkb:Richard_Brinsley_Sheridan
|
| gptkbp:cultural_impact |
inspired the term 'malapropism'
|
| gptkbp:has_conflict_with |
her niece
Lydia's romantic interests |
| gptkbp:has_influence_on |
literary humor
|
| gptkbp:has_relationship_with |
gptkb:Sir_Anthony_Absolute
gptkb:Lydia_Languish gptkb:Bob_Acres |
| https://www.w3.org/2000/01/rdf-schema#label |
Mrs. Malaprop
|
| gptkbp:influence_on |
literary humor
|
| gptkbp:is_a |
gptkb:cultural_heritage
gptkb:Actor gptkb:comic_book gptkb:fictional_character gptkb:socialite gptkb:Guardian female character comic foil satirical character character in a play character in comedy character in a romantic comedy character in a comedy of manners character who has a significant role in the plot figure of ridicule stereotypical figure character in a literary work character who is often misunderstood character with a strong personality character in a farce character in a humorous story character in a satire comic archetype character in a comedic narrative character in a comedic play character in a farcical play character in a theatrical work archetype of ignorance character who embodies certain stereotypes character who has a comedic impact character who has a lasting legacy in literature character who influences other characters character who interacts with younger characters character who is often parodied character who is often quoted character who is often the butt of jokes character who misuses words character who provides commentary on society character who represents a certain class character who represents social pretension character with a memorable name influential character in English literature source of comedic relief character who is often referenced in discussions of language |
| gptkbp:is_associated_with |
language errors
theatrical comedy |
| gptkbp:is_featured_in |
gptkb:film_adaptations
gptkb:theatrical_performances |
| gptkbp:is_known_for |
gptkb:humor
malapropisms her social status her witty remarks her misunderstandings her misguided attempts at sophistication |
| gptkbp:is_part_of |
gptkb:literature
|
| gptkbp:is_portrayed_as |
a guardian
various actresses overly educated |
| gptkbp:is_related_to |
gptkb:Jack_Absolute
gptkb:Lydia_Languish |
| gptkbp:is_represented_in |
adaptations
various media adaptations |
| gptkbp:is_set_in |
18th century England
|
| gptkbp:known_for |
malapropisms
|
| gptkbp:language |
incorrectly
|
| gptkbp:notable_for |
malapropisms
|
| gptkbp:notable_quote |
" A nice derangement of epitaphs."
" He is the very pineapple of politeness." " She is as headstrong as an allegory on the banks of the Nile." |
| gptkbp:occupation |
aunt
|
| gptkbp:part_of |
gptkb:The_Rivals
|
| gptkbp:personality_trait |
gptkb:humor
comedic confusion pretentiousness |
| gptkbp:portrayed_by |
various actresses in adaptations
|
| gptkbp:relationship_with |
gptkb:Sir_Anthony_Absolute
gptkb:Lydia_Languish gptkb:Bob_Acres |
| gptkbp:role |
gptkb:Guardian
|
| gptkbp:setting |
18th century England
|
| gptkbp:bfsParent |
gptkb:Lydia
|
| gptkbp:bfsLayer |
4
|