|
gptkbp:instance_of
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gptkb:music_genre
|
|
gptkbp:cultural_significance
|
gptkb:Chinese_diaspora
Hong Kong identity
Cantonese identity
|
|
gptkbp:director
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gptkb:Wong_Kar-wai
gptkb:Johnnie_To
|
|
gptkbp:features
|
Cantonese language
|
|
gptkbp:genre
|
gptkb:action
gptkb:comedy
gptkb:drama
gptkb:horror
|
|
gptkbp:has_awards
|
gptkb:Hong_Kong_Film_Awards
gptkb:Golden_Horse_Awards
gptkb:Academy_Awards
|
|
gptkbp:has_historical_significance
|
Post-World War II era
1990s Hong Kong
1980s Hong Kong
|
|
gptkbp:has_influence_on
|
Asian cinema
Global cinema
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
Cantonese cinema
|
|
gptkbp:influenced_by
|
gptkb:Hong_Kong_action_cinema
Martial arts films
|
|
gptkbp:is_known_for
|
Cinematography
Cultural references
Unique storytelling
Action choreography
|
|
gptkbp:is_popular_in
|
gptkb:Western_countries
gptkb:China
gptkb:Southeast_Asia
|
|
gptkbp:is_supported_by
|
gptkb:Film_festivals
Film critics
Film scholars
|
|
gptkbp:notable_actor
|
gptkb:Maggie_Cheung
gptkb:Tony_Leung_Chiu-wai
gptkb:Jackie_Chan
|
|
gptkbp:notable_film
|
gptkb:A_Better_Tomorrow
gptkb:Infernal_Affairs
gptkb:Chungking_Express
gptkb:The_Killer
|
|
gptkbp:originated_in
|
Cantonese culture
|
|
gptkbp:produced_by
|
gptkb:Hong_Kong
|
|
gptkbp:subgenres
|
Historical dramas
Romantic comedies
Thrillers
Category III films
|
|
gptkbp:bfsParent
|
gptkb:The_Shaw_Brothers'_Kung_Fu_Series
|
|
gptkbp:bfsLayer
|
6
|