|
gptkbp:instance_of
|
gptkb:graphic_novel
gptkb:film
|
|
gptkbp:adaptation
|
gptkb:film
in development
|
|
gptkbp:adapted_into
|
gptkb:video_game
|
|
gptkbp:art_style
|
gptkb:film
realistic
unique perspective
digital coloring
|
|
gptkbp:artistic_influence
|
European comics
graphic novel genre
|
|
gptkbp:awards
|
Eisner Award nomination
|
|
gptkbp:based_on
|
gptkb:graphic_novel
|
|
gptkbp:box_office
|
gptkb:CEO
|
|
gptkbp:character_arc
|
redemption
evolution over time
|
|
gptkbp:character_development
|
gptkb:launch_complex
|
|
gptkbp:character_relationships
|
gptkb:betrayal
internal struggle
complex relationships
morally ambiguous
|
|
gptkbp:cinematography
|
gptkb:Erik_Messerschmidt
|
|
gptkbp:country
|
gptkb:United_States
|
|
gptkbp:creator
|
gptkb:Matz
|
|
gptkbp:critical_reception
|
positive
|
|
gptkbp:cultural_impact
|
influenced other media
|
|
gptkbp:cultural_representation
|
varied backgrounds
|
|
gptkbp:cultural_significance
|
reflects societal issues
|
|
gptkbp:directed_by
|
gptkb:David_Fincher
|
|
gptkbp:distributor
|
gptkb:streaming_service
|
|
gptkbp:edited_by
|
gptkb:Kirk_Baxter
|
|
gptkbp:fan_base
|
cult following
|
|
gptkbp:first_published
|
gptkb:2004
|
|
gptkbp:focus
|
gptkb:moral_ambiguity
|
|
gptkbp:genre
|
gptkb:Police_Department
gptkb:Thriller
|
|
gptkbp:has_crossover
|
gptkb:none
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
The Killer
|
|
gptkbp:illustrator
|
gptkb:Luc_Jacamon
|
|
gptkbp:influenced_artists
|
gptkb:film
|
|
gptkbp:influenced_by
|
French cinema
|
|
gptkbp:influences
|
noir fiction
|
|
gptkbp:inspiration
|
real-life events
|
|
gptkbp:is_critical_for
|
thematic depth
|
|
gptkbp:is_motivated_by
|
financial gain
|
|
gptkbp:language
|
gptkb:French
English
minimalist
|
|
gptkbp:main_character
|
gptkb:The_Killer
|
|
gptkbp:merchandise
|
limited edition prints
|
|
gptkbp:music_by
|
gptkb:Trent_Reznor
gptkb:Atticus_Ross
|
|
gptkbp:narrative_style
|
first-person
flashbacks
non-linear
suspense
|
|
gptkbp:narrative_theme
|
betrayal and trust
|
|
gptkbp:notable_story_arc
|
gptkb:revenge
|
|
gptkbp:number_of_volumes
|
gptkb:4
|
|
gptkbp:plot
|
episodic
|
|
gptkbp:plot_twist
|
unexpected
|
|
gptkbp:premiere
|
gptkb:film_festival
|
|
gptkbp:produced_by
|
gptkb:David_Fincher
Ceán Chaffin
|
|
gptkbp:published_by
|
multiple languages
|
|
gptkbp:publisher
|
gptkb:Casterman
|
|
gptkbp:publishes
|
gptkb:book
|
|
gptkbp:rating
|
gptkb:R
|
|
gptkbp:reader_demographic
|
young adults
thought-provoking
|
|
gptkbp:release_date
|
gptkb:2023
2004-2008
|
|
gptkbp:runtime
|
158 minutes
|
|
gptkbp:screenplay_by
|
gptkb:Andrew_Kevin_Walker
|
|
gptkbp:sequel
|
gptkb:The_Killer:_The_Last_Chapter
|
|
gptkbp:series
|
4 volumes
|
|
gptkbp:setting
|
various locations
|
|
gptkbp:starring
|
gptkb:Michael_Fassbender
|
|
gptkbp:symbolism
|
violence
|
|
gptkbp:target_audience
|
adults
|
|
gptkbp:thematic_element
|
gptkb:TV_series
|
|
gptkbp:theme
|
gptkb:existentialism
gptkb:superhero
|
|
gptkbp:themes
|
gptkb:survival
|
|
gptkbp:bfsParent
|
gptkb:The_Last_to_Die
gptkb:John_Woo
gptkb:The_Girl_Who_Knew_Too_Much
gptkb:David_Carradine
gptkb:Léon:_The_Professional
gptkb:The_Girl_with_a_Knife
gptkb:Tenebre
gptkb:Profondo_Rosso
gptkb:1989_Cannes_Film_Festival
gptkb:Eddy_Ko
gptkb:Michael_Fassbender
gptkb:Killer_Kowalski
gptkb:Eugène_Ionesco
gptkb:Sun_Records
gptkb:The_Last_House_on_Dead_End_Street
gptkb:Wild_at_Heart
gptkb:Stay_Alive
gptkb:Kris_Mc_Cray
gptkb:The_Girl_in_the_Photographs
gptkb:The_Dead_Pool
gptkb:Mark_Lee
gptkb:Identity_(Keystone)
gptkb:Wild_at_Heart_(1990_film)
|
|
gptkbp:bfsLayer
|
4
|