Statements (53)
| Predicate | Object |
|---|---|
| gptkbp:instance_of |
gptkb:High_School
|
| gptkbp:bfsLayer |
4
|
| gptkbp:bfsParent |
gptkb:Burgundy
|
| gptkbp:associated_with |
gptkb:Burgundian_court
gptkb:court_of_Philip_the_Good Busnois's music Dufay's music Ockeghem's music |
| gptkbp:composer |
gptkb:Guillaume_Dufay
gptkb:Johannes_Ockeghem gptkb:Antoine_Busnois |
| gptkbp:cultivation |
15th century
|
| gptkbp:cultural_impact |
influence on later composers
development of polyphonic music establishment of music as a courtly art integration of secular and sacred music spread of musical styles |
| gptkbp:historical_context |
Early Renaissance
Late Middle Ages |
| https://www.w3.org/2000/01/rdf-schema#label |
Burgundian School of Music
|
| gptkbp:influenced |
Renaissance music
French chanson English music |
| gptkbp:influenced_by |
gptkb:sports_team
|
| gptkbp:is_characterized_by |
polyphony
|
| gptkbp:legacy |
impact on Western classical music
development of music notation foundation for later choral music influence on music theory influence on the Franco-Flemish school preservation of musical manuscripts |
| gptkbp:notable_features |
imitation
rhythmic complexity rich harmonies melodic development textural variety sophisticated counterpoint use of cantus firmus |
| gptkbp:notable_traits |
lyrical quality
emphasis on harmony expressive melodies rich textures performance practices vocal ranges contrapuntal techniques text setting use of modal scales frequent use of cadences |
| gptkbp:notable_work |
gptkb:Missa_Se_la_face_ay_pale
gptkb:Missa_L'homme_armé Miserere mei, Deus Nymphes des bois |
| gptkbp:origin |
gptkb:Burgundy
|