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gptkbp:instance_of
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gptkb:orcas
|
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gptkbp:arrangements
|
gptkb:various_adaptations
|
|
gptkbp:associated_band
|
solos and choruses
|
|
gptkbp:associated_with
|
gptkb:Holy_Week
religious observances
Easter celebrations
|
|
gptkbp:available_on
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gptkb:streaming_platforms
|
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gptkbp:based_on
|
the Passion of Jesus Christ
|
|
gptkbp:characteristic
|
recitatives and arias
|
|
gptkbp:composer
|
gptkb:Georg_Philipp_Telemann
|
|
gptkbp:cultural_impact
|
influenced later composers
|
|
gptkbp:cultural_significance
|
part of Baroque repertoire
|
|
gptkbp:first_performance
|
1712
|
|
gptkbp:historical_context
|
early 18th century
|
|
gptkbp:historical_legacy
|
remains relevant in classical music
|
|
gptkbp:historical_significance
|
reflects Baroque musical practices
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
Brockes-Passion
|
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gptkbp:influenced_by
|
gptkb:Bach's_Passions
theatrical traditions
German Lutheran tradition
Passion settings of the time
|
|
gptkbp:instruments
|
gptkb:orchestra
|
|
gptkbp:language
|
gptkb:German
|
|
gptkbp:librettist
|
Brockes
|
|
gptkbp:music_style
|
oratorio form
|
|
gptkbp:notable_collaborations
|
collaborations with soloists
|
|
gptkbp:notable_conductors
|
conducted by prominent figures
|
|
gptkbp:notable_features
|
dramatic storytelling
|
|
gptkbp:notable_for
|
emotional depth
|
|
gptkbp:notable_performances
|
concerts and festivals
|
|
gptkbp:notable_recordings
|
recorded by various artists
|
|
gptkbp:performed_by
|
various choirs
|
|
gptkbp:performed_in
|
gptkb:church
gptkb:Germany
concert halls
liturgical settings
|
|
gptkbp:published_in
|
1712
|
|
gptkbp:recordings
|
multiple recordings
|
|
gptkbp:structure
|
multi-movement
|
|
gptkbp:style
|
gptkb:Baroque
|
|
gptkbp:thematic_element
|
suffering and redemption
|
|
gptkbp:year_composed
|
1712
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gptkbp:bfsParent
|
gptkb:George_Frideric_Handel
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gptkbp:bfsLayer
|
5
|