Statements (28)
| Predicate | Object |
|---|---|
| gptkbp:instanceOf |
gptkb:film
|
| gptkbp:activePeriod |
1956–1959
|
| gptkbp:characteristic |
use of non-professional actors
focus on everyday life low-budget production emphasis on personal vision |
| gptkbp:country |
gptkb:United_Kingdom
|
| gptkbp:firstScreening |
gptkb:National_Film_Theatre,_London
|
| gptkbp:firstScreeningDate |
February 1956
|
| gptkbp:foundedBy |
gptkb:Karel_Reisz
gptkb:Lindsay_Anderson gptkb:Tony_Richardson gptkb:Lorenza_Mazzetti |
| https://www.w3.org/2000/01/rdf-schema#label |
British Free Cinema
|
| gptkbp:influenced |
gptkb:British_New_Wave
|
| gptkbp:influencedBy |
gptkb:Italian_Neorealism
documentary |
| gptkbp:language |
English
|
| gptkbp:notableWork |
gptkb:Every_Day_Except_Christmas
gptkb:Momma_Don't_Allow gptkb:O_Dreamland gptkb:We_Are_the_Lambeth_Boys Together |
| gptkbp:relatedTo |
gptkb:Angry_Young_Men
Kitchen sink realism |
| gptkbp:slogan |
No film can be too personal
|
| gptkbp:bfsParent |
gptkb:European_film_industry
|
| gptkbp:bfsLayer |
7
|