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gptkbp:instance_of
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gptkb:theater
|
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gptkbp:associated_with
|
gptkb:The_Berliner_Ensemble
gptkb:Theatre_of_the_Oppressed
Political Theatre
Brechtian Techniques
|
|
gptkbp:audience
|
Critical Thinking
|
|
gptkbp:cultural_impact
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Influence on Modern Theatre
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gptkbp:director
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gptkb:Bertolt_Brecht
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gptkbp:founded_by
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gptkb:Bertolt_Brecht
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gptkbp:historical_period
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20th Century
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https://www.w3.org/2000/01/rdf-schema#label
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Brecht's Theatre
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gptkbp:influenced
|
gptkb:Theatre_of_the_Absurd
Postmodern Theatre
|
|
gptkbp:influenced_by
|
gptkb:Karl_Marx
gptkb:Max_Reinhardt
|
|
gptkbp:location
|
gptkb:Germany
|
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gptkbp:notable_actor
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gptkb:Helene_Weigel
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gptkbp:notable_feature
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gptkb:Humanism
gptkb:Social_Realism
Historical Contextualization
Intertextuality
Artistic Freedom
Cultural Critique
Political Engagement
Narrative Structure
Cynicism
Multimedia Elements
Theatrical Innovation
Use of Props
Critique of Capitalism
Characterization Techniques
Dramatic Irony
Collaborative Creation
Epic Form
Alienation Effect
Audience as Witness
Direct Address to Audience
Gestus
Realism vs. Idealism
Song and Music Integration
Theatre as Reflection of Society
Theatre as a Mirror
Theatrical Space Manipulation
Use of Projections
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|
gptkbp:notable_production
|
gptkb:The_Resistible_Rise_of_Arturo_Ui
gptkb:The_Caucasian_Chalk_Circle
gptkb:Fear_and_Misery_of_the_Third_Reich
gptkb:The_Good_Person_of_Szechwan
|
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gptkbp:notable_work
|
gptkb:The_Threepenny_Opera
gptkb:Mother_Courage_and_Her_Children
|
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gptkbp:performance_style
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Non-realistic
|
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gptkbp:philosophy
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Theatre as a Tool for Change
|
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gptkbp:style
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gptkb:Epic_Theatre
|
|
gptkbp:technique
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Verfremdungseffekt
|
|
gptkbp:theme
|
Political Commentary
Social Critique
|
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gptkbp:bfsParent
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gptkb:Berliner_Ensemble
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gptkbp:bfsLayer
|
5
|