gptkbp:instance_of
|
gptkb:theater
|
gptkbp:adapted_into
|
film and television
|
gptkbp:advocates_for
|
social change
|
gptkbp:aims_to
|
encourage critical thinking
|
gptkbp:challenges
|
audience passivity
traditional narrative forms
|
gptkbp:characterized_by
|
Verfremdungseffekt
|
gptkbp:developed_by
|
gptkb:Bertolt_Brecht
|
gptkbp:emphasizes
|
social and political themes
|
gptkbp:features
|
non-linear storytelling
|
gptkbp:has_impact_on
|
Contemporary Theatre
|
https://www.w3.org/2000/01/rdf-schema#label
|
Epic Theatre
|
gptkbp:includes
|
direct address to the audience
songs and music
|
gptkbp:influenced_by
|
gptkb:Marxism
|
gptkbp:is_acclaimed_for
|
its intellectual rigor
|
gptkbp:is_associated_with
|
gptkb:The_Berliner_Ensemble
the concept of alienation
|
gptkbp:is_challenged_by
|
postmodern theatre
|
gptkbp:is_compared_to
|
Traditional Theatre
|
gptkbp:is_considered
|
a revolutionary approach
|
gptkbp:is_criticized_for
|
lack of emotional engagement
|
gptkbp:is_defined_by
|
its didactic purpose
|
gptkbp:is_examined_in
|
theoretical texts
|
gptkbp:is_explored_in
|
academic literature
performance art.
|
gptkbp:is_influenced_by
|
gptkb:Expressionism
|
gptkbp:is_influential_in
|
the development of modern drama
|
gptkbp:is_known_for
|
breaking the fourth wall
|
gptkbp:is_linked_to
|
theatre of the oppressed
|
gptkbp:is_noted_for
|
its innovative staging
|
gptkbp:is_often_compared_to
|
gptkb:Absurdist_Theatre
|
gptkbp:is_part_of
|
Theatrical movements
|
gptkbp:is_practiced_in
|
gptkb:various_countries
|
gptkbp:is_recognized_for
|
its cultural significance
|
gptkbp:is_reflected_in
|
Brecht's plays
|
gptkbp:is_related_to
|
Political Theatre
|
gptkbp:is_represented_in
|
various theatre companies
|
gptkbp:is_studied_in
|
Theatre studies programs
|
gptkbp:is_utilized_by
|
activist groups
|
gptkbp:originated_in
|
gptkb:Germany
|
gptkbp:promotes
|
the idea of change
|
gptkbp:uses
|
narrative techniques
|
gptkbp:utilizes
|
multimedia elements
|
gptkbp:bfsParent
|
gptkb:Bertolt_Brecht
|
gptkbp:bfsLayer
|
4
|