Brave New World (novel)

GPTKB entity

Statements (52)
Predicate Object
gptkbp:instanceOf gptkb:novel
gptkbp:adaptation gptkb:Brave_New_World_(1980_film)
gptkb:Brave_New_World_(1998_film)
gptkb:Brave_New_World_(2020_TV_series)
gptkbp:author gptkb:Aldous_Huxley
gptkbp:class PR6015.U9 B65
gptkbp:countryOfOrigin gptkb:United_Kingdom
gptkbp:coverArtist gptkb:Leslie_Holland
gptkbp:deweyDecimal 823.912
gptkbp:followedBy gptkb:Brave_New_World_Revisited
gptkbp:genre gptkb:science_fiction
dystopian fiction
https://www.w3.org/2000/01/rdf-schema#label Brave New World (novel)
gptkbp:influenced gptkb:Player_Piano
gptkb:Fahrenheit_451
gptkb:The_Giver
1984
gptkbp:influencedBy gptkb:The_Tempest
gptkbp:ISBN 978-0-06-085052-4
gptkbp:language English
gptkbp:mainCharacter gptkb:Bernard_Marx
gptkb:Lenina_Crowne
gptkb:Mustapha_Mond
gptkb:John_(the_Savage)
gptkbp:mediaType gptkb:print
gptkbp:notableQuote Community, Identity, Stability
Ending is better than mending.
Everyone belongs to everyone else.
gptkbp:notableWork gptkb:Aldous_Huxley
gptkbp:OCLC 449613
gptkbp:originalTitle The Tempest by William Shakespeare
gptkbp:pages 311
gptkbp:publicationDate 1932
gptkbp:publisher gptkb:Chatto_&_Windus
gptkbp:setting gptkb:London
gptkb:The_World_State
gptkbp:subject utopia
dystopia
future society
psychological manipulation
assisted reproductive technology
gptkbp:theme consumerism
totalitarianism
genetic engineering
social stratification
loss of individuality
technological control
happiness vs. freedom
gptkbp:bfsParent gptkb:Brave_New_World_(1980_film)
gptkb:Brave_New_World_(1998_film)
gptkb:Brave_New_World_(2020_TV_series)
gptkbp:bfsLayer 6