gptkbp:instanceOf
|
gptkb:novel
|
gptkbp:adaptation
|
gptkb:Brave_New_World_(1980_film)
gptkb:Brave_New_World_(1998_film)
gptkb:Brave_New_World_(2020_TV_series)
|
gptkbp:author
|
gptkb:Aldous_Huxley
|
gptkbp:class
|
PR6015.U9 B65
|
gptkbp:countryOfOrigin
|
gptkb:United_Kingdom
|
gptkbp:coverArtist
|
gptkb:Leslie_Holland
|
gptkbp:deweyDecimal
|
823.912
|
gptkbp:followedBy
|
gptkb:Brave_New_World_Revisited
|
gptkbp:genre
|
gptkb:science_fiction
dystopian fiction
|
https://www.w3.org/2000/01/rdf-schema#label
|
Brave New World (novel)
|
gptkbp:influenced
|
gptkb:Player_Piano
gptkb:Fahrenheit_451
gptkb:The_Giver
1984
|
gptkbp:influencedBy
|
gptkb:The_Tempest
|
gptkbp:ISBN
|
978-0-06-085052-4
|
gptkbp:language
|
English
|
gptkbp:mainCharacter
|
gptkb:Bernard_Marx
gptkb:Lenina_Crowne
gptkb:Mustapha_Mond
gptkb:John_(the_Savage)
|
gptkbp:mediaType
|
gptkb:print
|
gptkbp:notableQuote
|
Community, Identity, Stability
Ending is better than mending.
Everyone belongs to everyone else.
|
gptkbp:notableWork
|
gptkb:Aldous_Huxley
|
gptkbp:OCLC
|
449613
|
gptkbp:originalTitle
|
The Tempest by William Shakespeare
|
gptkbp:pages
|
311
|
gptkbp:publicationDate
|
1932
|
gptkbp:publisher
|
gptkb:Chatto_&_Windus
|
gptkbp:setting
|
gptkb:London
gptkb:The_World_State
|
gptkbp:subject
|
utopia
dystopia
future society
psychological manipulation
assisted reproductive technology
|
gptkbp:theme
|
consumerism
totalitarianism
genetic engineering
social stratification
loss of individuality
technological control
happiness vs. freedom
|
gptkbp:bfsParent
|
gptkb:Brave_New_World_(1980_film)
gptkb:Brave_New_World_(1998_film)
gptkb:Brave_New_World_(2020_TV_series)
|
gptkbp:bfsLayer
|
6
|