Blood and Sand (1922 film)
GPTKB entity
Statements (80)
| Predicate | Object |
|---|---|
| gptkbp:instance_of |
gptkb:film
|
| gptkbp:based_on |
gptkb:Blood_and_Sand_(novel)
|
| gptkbp:box_office |
successful at the box office.
|
| gptkbp:character |
Carmen.
Doña Sol. Juan Gallardo. the bull. |
| gptkbp:cinematography_by |
gptkb:James_Wong_Howe
|
| gptkbp:color |
black and white
|
| gptkbp:country |
gptkb:United_States
|
| gptkbp:critical_reception |
mixed reviews.
|
| gptkbp:cultural_impact |
Influenced later bullfighting films.
|
| gptkbp:depicts |
the life of a matador.
|
| gptkbp:directed_by |
gptkb:Fred_Niblo
|
| gptkbp:distributor |
gptkb:United_Artists
|
| gptkbp:edited_by |
gptkb:Margaret_Booth
|
| gptkbp:featured_in |
film retrospectives.
|
| gptkbp:follows |
gptkb:The_Four_Horsemen_of_the_Apocalypse
|
| gptkbp:genre |
gptkb:drama
romance |
| gptkbp:historical_significance |
reflects 1920s American cinema.
|
| https://www.w3.org/2000/01/rdf-schema#label |
Blood and Sand (1922 film)
|
| gptkbp:influenced |
future portrayals of bullfighters.
the image of the matador. |
| gptkbp:influenced_by |
Spanish culture.
the novel by Vicente Blasco Ibáñez. |
| gptkbp:inspired |
the romanticized view of bullfighting.
|
| gptkbp:language |
gptkb:film
|
| gptkbp:music_by |
gptkb:Rudolph_Valentino
|
| gptkbp:notable_aspect |
historical context.
cultural representation. the exploration of identity. the role of fate. thematic elements. emotional depth. romantic elements. set design. costume design. dramatic tension. use of lighting. the exploration of conflict. the exploration of sacrifice. the exploration of ambition. cinematography. Rudolph Valentino's charisma. conflict between love and ambition. depiction of Spanish culture. the exploration of culture. the exploration of destiny. the exploration of fame. the exploration of honor. the exploration of legacy. the exploration of loss. the exploration of love. the exploration of passion. the exploration of redemption. the exploration of rivalry. the exploration of tradition. the exploration of tragedy. the portrayal of femininity. the portrayal of masculinity. the use of symbolism. |
| gptkbp:notable_for |
Rudolph Valentino's performance.
|
| gptkbp:notable_scene |
the bullfighting scenes.
|
| gptkbp:plot |
A bullfighter's rise and fall.
|
| gptkbp:precedes |
gptkb:The_Sheik
|
| gptkbp:production_company |
gptkb:Metro-Goldwyn-Mayer
|
| gptkbp:release_date |
1922-09-25
|
| gptkbp:release_format |
theatrical release
|
| gptkbp:remake |
gptkb:Blood_and_Sand_(1941_film)
|
| gptkbp:runtime |
80 minutes
|
| gptkbp:screenplay_by |
gptkb:June_Mathis
|
| gptkbp:set_in |
gptkb:Spain
|
| gptkbp:starring |
gptkb:Catherine_Dale_Owen
gptkb:Rudolph_Valentino gptkb:Lila_Lee gptkb:Antonio_Moreno |
| gptkbp:bfsParent |
gptkb:Rudolph_Valentino
gptkb:Blood_and_Sand |
| gptkbp:bfsLayer |
5
|